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The Maverick 



IN A PROLOGUE AND FOUR ACTS 



A DRAMA OF THE WEST 

By 
JAMES L. KIBBEE 

Author of The Little Corporal" , Pedro' s Revenge" , The 

Passing of Sheriff Bar?-' \ The Marvelous 

Pocket of Gold' ', Etc. 



SOUTH WHITLEY, INDIANA 

1911 



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Copyright, 1911 

BY 

JAMES L. KIBBEE 

COPYRIGHT NOTICE AND WARNING 

This play is fully protected by the copyright law, all re- 
quirements of which have been fully complied with. In its 
present printed form it is dedicated to the reading public 
only, and no perfomances of it may be given without the 
written permission of the author, vv'ho may be addressed in 
care of the publisher. 

The subjoined is an extract from the law relating to 
copyright : 

Sec. 4996. Any person publicly perfoming or representing 
any dramatic or musical composition for which a copyright 
has been obtained, without the consent of the proprietor of 
said dramatic or musical composition or his heirs or as- 
signs, shall be liable for damages therefor, such damages in 
all cases to be assessed at such sum not less than one hundred 
dollars for the first and fifty dollars for every subsequent 
performance as to the Court shall appear just. If the un- 
lawful performance and representation be willful and for 
profit, such person or persons shall be guilty of a mis- 
demeanor, and upon conviction be imprisoned for a period 
not exceeding one year. 



gCl.D 23912 



CAST OF CHARACTERS 



Rose Lea 
John Selby 
Col. Lea 
Ferocity 



Pap 

Mamie Loring 

Ike 

Faro Jim 

Judge Loring 

Lucas 

Pete 

Parson 

Maria 

Monte 

Sam 

Walt 

ROLY 

Chicken Bill 

Ginger Blue 

Newt 

Monte Dealer ^ 

1st Mexican \ 

2nd Mexican 

Rose Lea 

Cap. Baird 

Hattie Baird 

Chiquite 

Sandy 

Joe 



J 



PROLOGUE 

The Maverick, A Son of the West 

An Eastern Girl 

Manager of San Bernardo Ranch 

Rose's Father 

A Cowboy 

THE PLAY 

Always a Maverick 

The Pride of Rio Seco 

Foreman of the Jinglebobs 

A Gambler 

Mamie's Father 

Poker Dealer at Legal Tender 

Barkeeper at Legal Tender 

A Western Sky Pilot 

A Mexican at Mamie's House 

Of the Jinglebob Outfit 



Cowboys from the Jinglebob 
Cook of the Jinglebobs 

At the Legal Tender Saloon 

Who Returns from the East 

Who Owns the Ranch 

His Daughter, A Western Product 

At the Baird Ranch 

Cowboys at the Baird Ranch 



The Maverick 



A DRAMA OF THE WEST 



PROLOGUE 



Scene: Office room^of the San Bernardo Ranch, San Antonio, 
Texas. Door in the flat at right, and hay ivindotv left. Door 
right 2E., and one left, upper. Long leather covered 
office table dozvn stage, left. Back of table is revolving 
office chair, and in front of it a large arm chair. Table 
is littered zvith papers and very untidy. Dozvn R. is a type- 
zuriter stand on zvhich is a typezvritcr, small typezvriter stool 
in front of it. The ceiling of the room is lozv, zvith long 
square rafters running length of the room. Walls are 
hung zvith zvestern trophies including tzvo deer heads, and 
a fczv appropriate pictures. Everything in good taste. 

FEROCITY 

[Examines pictures around room closely, looks carelessly over 
papers on table and finally goes dozvn to typezvriter. Hits a 
fezv keys cautiously, zvalks stealthily over to zvindozv and looks 
out to see if the coast is clear, then comes back to the typezjvriter 
and sits dozvn.] Wonder how the darn thing works ? [Picks out 
name slozvly, spelling it as he goes, and is about through zvhen 
machine sticks and refuses to budge.] What the hell! [Tries to 
push carriage along zvith his hand, then takes out gun and gives 
it a vigorous tap.] Knowed I'd get into trouble. I'd better evap- 
orate, cause they's goin ter be a stampede around this ranch when 
the boss finds out thar's bin somebody runnin the mowin machine. 
[Pulls dozvn hat and starts to exit suddenly through door in fiat 
and almost runs into rose, jumps hack, but appears relieved 
zvhen he finds out zvho it is. Takes off hat and confronts her 

[page 1] 



THE MAVERICK 

azvkwardly.] Good mornin, Miss Rose — howdy. 

ROSE 

Good morning, Ferocity ; are you looking for Mr. Selby. 

FEROCITY 

I should say not. I am jest tryin ter git away afore he comes in. 

ROSE 

What's wrong, now? 

FEROCITY 

Oh, hardly nothin. [Eagerly, as the thought strikes him sud- 
denly.] Say do you know anything about them d — er — er — type- 
writin machines? 

ROSE 

Oh, ho, so that's it. 

FEROCITY 

Uh, huh — I jest put that there one on the hog. 

ROSE 

[Looks at machine and then back to Ferocity inquiringly.] On 
the hog? 

FEROCITY 

Yes, ma'am — put it on the hog train fer fair — busted it — 
smashed it. 

ROSE 

You broke the machine? 

FEROCITY 

I did. And if the boss finds out who done it, my job here 
wouldn't be worth a whoop in h — . [Stops himself by putting 
hand to mouth.] Wal, it wouldn't be worth much, cause the 
boss thinks more of that thing than he does of his gun. 

ROSE 

[Goes over and examines machine.] There you are; only a 

[page 2] 



THE MAVERICK 

couple of keys wedged together, impeding the movement of the 
carriage. 

FEROCITY 

Yaas, I knew it was something Hke that. And it ain't broke ? 

ROSE 

No ; and he'll never know you've touched it. [Takes paper out 
of machine and throzvs it in zvaste basket.] There goes the evi- 
dence of guilt. 

FEROCITY 

You shore saved my life that time. [Admiringly.] But you 
alius fix things up right. 

ROSE 

[Amused.] And pray what things have I fixed? 

FEROCITY 

Wal, the main thing I was ludin at — was Rip. You fixed 
him all right. 

ROSE 

I don't know that I undertsand v/hat you mean by saying that 
I have "fixed" Rip. 

FEROCITY 

Wal, since you come down here PJp ain't the same feller. He 
allers was kinder dreamy, but now he don't seem to care whether 
he works or not any more, an v/hat time he ain't p — rimpin — a 
tien his ties or combin his hair or brushin his shoes — why [dis- 
gustedly] he puts in readin of some book. 

ROSE 

And don't you like to see Rip improving himself ? 

FEROCITY 

I can't see that its sich a hell of an improvement. It's kinder 
like gittin on a tear — the hardest part is gittin over it. 

[page 3] 



THE MAVERICK 

RIP 

[Entei's hastily from R.2E. rose and ferocity both turn 
RIP stops suddenly as he sees zvho confronts him, and azvkzuard- 
ly takes off his hat.] Good mornin. 

ROSE 

Why, Rip I've been expecting you. Perhaps you forgot you 
were going to take me to the round-up. 

RIP 

[Earnestly.] No, I didn't forget — I've been thinkin of it all 
mornin. But a bunch of Mr. Selby's fine stock got out of the 
pasture last night, and we've been huntin for 'em. 

ROSE 

With what success? 

RIP 

Not much success fer me. We got the cattle all right. But it 
spoiled my mornin. 

FEROCITY 

[Who has been in evident discomfort during this conversa- 
tion; coughs to attract their attention. They both look at him.] 
Reckon you folks would excuse me. 

RIP 

Why, hello. Ferocity — you needn't go. 

FEROCITY 

[Slyly.] I know when I'm not necessary to the proceedins 
in hand, all right. [Turns at door.] All right. [Exit R.2E.] 

ROSE 

[Coyly.] Then you didn't forget. 

RIP 

[Walking slowly tozvard her and looking intently into her eyes.] 
I never forget you — I'm thinkin of you all the time. 

[page 4] 



THE MAVERICK 

ROSE 

[In zvonderment.] Why, Rip, you never said anything like that 
to me before. 

RIP 

I know I haven't ; but I can't keep from saying it any longer. 
I know it's not right for me to even think of it, much less to 
tell you. I know the difference in our lives — that you have 
wealth, culture, refinement and fine friends, while I'm a Maverick, 
just a poor stray cowpuncher, without family, uncultured and un- 
educated. But no matter how wrong it is, I can't help loving you. 
[Stops and seems to realise for the first time ivhat he has been 
saying.] Oh, I know you'll hate me for even daring to speak 
of it. 

ROSE 

No, I won't — I'll just loi'e you for it. 

RIP 

Rose, you don't mean 

ROSE 

Yes, I do mean it. And more than that I would give up every- 
thing in the world for you. 

RIP 

Its too good to be true. [He clasps her in his arms.] Its just 
like a fairy tale, ain't it Rose — the way you have come into m}^ 
life, the way you have changed me. 

ROSE 

Has it meant much to you, Rip ? 

RIP 

It has meant the only real happiness that I have ever known. 

LEA 

[Enters R.2E. hastily. Stops abruptly zvhen he sees rip and 
ROSE. They step apart and stand looking at lea.] What does 
this mean? 

[page 5] 



THE MAVERICK 

ROSE 

Father — 

RIP 

Why, sir — 

LEA 

[Blusteringly.] Not a word — not a word from either of yoii. 
What I have seen is enough. It is disgraceful. You shall account 
to me for this personally, sir. Do you understand? 

RIP 

Why, sir, I'd like to explain — 

LEA 

You'll have an opportunity to explain later. Come with me 
young lady. [Grasps rose''s arm and leads her out door in flat. 
RIP ivalks to the door and looks after them, turns around, zvhistles 
and exits R.2E.] 

SELBY 

[Enters rapidly from left, upper. Hangs up coat and hat and 
busies himself straightening out papers on desk. He is zvorking 
rapidly as lea enters from door in flat, selby looks up as lea 
comes in, says "Good morning" briskly, and goes on with his 
zvork.'] 

LEA 

[Very gruffly. 1 It is not a good morning — not by a damn 
sight, sir. 

SELBY 

Worrying again, eh? [Stops work and looks up.] Now see 
here, Colonel, our glorious climate, nor the rest cure, nor any- 
thing else is ever going to cure you if you keep up this worrying. 
Forget stocks and bonds for a time and give nature a chance. 
Why I've seen this climate cure a lot worse cases than yours. 

LEA 

Now don't harp on that old subject. You fellows down hero 
think your climate is a panacea for all ills, and you never lose an 

K [page 6] 



THE MAVERICK 

opportunity to preach your belief. I've heard it so much that 
I'm damned if I don't half believe it myself. But this time I'm 
not worrying about business — its about Rose. 

SELBY 

[Going on zvith his zvork.] Why worry about Rose. I thought 
she was enjoying herself immensely. 

LEA 

Yes, Rose and this dreamy cow-puncher foreman of yours. 

SELBY 

[Looking up from zvork again.] Why? Because she is learn- 
ing the democratic spirit of the West, because there is health and 
color in her cheeks, and new life in her walk. 

LEA 

All that is well enough, but she's making an equal of that 
illiterate puncher. 

SELBY 

[With spirit.] Rip may be illiterate, sir, and even ignorant 
and uncouth according to your standard, but he is a man among 
men, and I may say, sir, a gentleman. 

LEA 

[Savagely.] Hold your tongue, John Selby ; remember I'm the 
owner of this ranch and you are my manager, 

SELBY 

[Rising.] I do not forget that I have sold you my services, 
and as far as possible, I am giving you value received. But 
down here. Colonel Lea, we don't sell our opinions nor the right 
to express them to whom and when we please. 

LEA 

[Subsiding.] Then you knew it all along? 
SELBY 

I knew they were together a good deal. 

[page 7] 



THE MAVERICK 

LEA 

I knew that too, but I didn't give it a moment's serious thought, 
for she has always been unapproachable, even by men in her own 
station in life, and I didn't dream that she would take up with 
this savage individual. Why, sir, our country's bluest blood 
flows through her veins. 

SELBY 

And that boy, sir, breathes the very spirit of the West. Do 
you know what it is? Manliness, honor and courage. 

LEA 

[Sarcastically.] Honorable and manly, eh? What would 
you say if I told you that I saw him kiss her, right in this very 
room, not ten minutes ago ? 

SELBY 

[Unconcerned.] And may I ask what she did? 

LEA 

None of your damned business, sir, none of your business 
The whole proceeding is disgraceful and humiliating beyond 
measure. [Enter rip R.2E.] 

SELBY 

Here's Rip now, Col., ask him about it. 

RIP 

Col. Lea, I have come to make that explanation now, if you 
will listen to me. 

SELBY 

I will leave you alone, gentlemen. I was just ready to leave. 
[Exit.] 

RIP 

Thank you, John. 

LEA 

Huh ! Seems to me you're very familiar with your chief. 

[page 8] 



THE MAVERICK 

RIP 

Oh, yes — Mr. Selby. Wal, you see, he's mighty nigh raised me. 
My father died before I was old enough to know him — my mother 
when I was ten years old. John Selby was father and mother 
to me until I got big enough to take care of myself. Since that 
time he's been my companion and teacher and helper. 

LEA 

Pardon me, but has this interesting bit of history any bearing 
upon your proposed explanation? 

RIP 

It may have. I suppose you would naturally want to know 
something about the man who asks you for your daughter. My 
explanation is, that I loA^e your daughter with all my heart, and J 
want her for my wife. 

LEA 

You have the presumption to even speak of it ! You'd make 
a fine husband for Rose, wouldn't you? A wild, savage cow 
puncher ! All you know is to drink, gamble and shoot. 

RIP 

You stop. No man ever talked to me that way, and by God 
you can't — even if you are her father. No man is good enough 
for a good woman, and I know I haven't anything to recommend 
me, but I love Rose and I believe I can make her happy. 

LEA 

[In a milder tone.] Young man, if you really love my daugh- 
ter as you say you do, there's a better way to show it than by 
marrying her. [Sarcastically.] By the way, does she know 
anything about this shooting scrape of yours? 

RIP 

Why there was nothing about that for me to be ashamed of. 
He was drunk and was talking wild about a woman. I tried to 
make him shut up, and — well I had to shoot in self defense ; 
besides, I didn't kill him. 

[page 9] 



THE MAVERICK 

LEA 

[Insinuatingly.] How about the woman? 

RIP 

I didn't even know her, and to this day have never met her. 

LEA 

[Sneeringly.] A fine story indeed! [Nozv pleading.] But 
have you thought what you would be asking Rose to reHnquish? 
She would have to forego all the luxuries of a life of wealth 
where her every desire has been anticipated — to give up her 
friends, her social standing, and her — home. 

RIP 

You don't mean — 

LEA 

I mean that if she married you, as much as I love her, I would 
cast her off — she would be no daughter of mine. 

RIP 

She says she is tired of her old life and would welcome the 
change. 

LEA 

This is but a passing fancy of hers — a girlish dream. This 
western life is new to her and she is attracted by the change. 
She would soon tire of it all as a child tires of its playthings ; 
then how about her happiness, and your happiness. When she 
would awaken to a realization of what she had done, she would 
find that none of her thousand little whims could be gratified — 
that she was chained to environments that were tiresome and 
married to a man who met none of her ideals. 

RIP 

[Thinking seriously as the evident truth strikes home.] I won- 
der if you are right — but I know she cares now. 

LEA 

Granting you that she is sincere now — that for the moment 

[page 10] 



THE MAVERICK 

she has allowed her sentiment to usurp her good judgment, what 
of the awakening, young man? Suppose you allowed her to 
give up her home and stay down here among those savages, would 
it show your love for her or your innate selfishness? 

RIP 

Well, what do want me to do? I care only for her happiness. 

LEA 

Then prove it, sir, prove it. Go away from here tonight with- 
out seeing her again and let her go back to her home and happi- 
ness. 

RIP 

[Sadly.] I knew it was all wrong for me to even think of it. 
T guess she wouldn't fit down here ; and I'll do what you say. By 
God, I will. 

LEA 

John Selby was right — you are a man. 

ROSE 

[Enters from R.2E.] I beg pardon, am I intruding? 

LEA 

On the contrary, I was just about to send for you. This young 
man has asked me for your hand in marriage. I have shown 
him the impossibilities of such a union, and of course have re- 
jected his ofifer. 

ROSE 

Father, I have always been a dutiful child to you, responding 
to your every wish, but I do not thank you for your interference 
in this case. The time has come when I must choose for myself 
which way my happiness lies, regardless of your wishes. 

LEA 

That would be very well, daughter, were this man all that you 
had supposed him. But he has just acknowledged to me that 
he has been trying to win you for your money, not for your- 

[PAGE 11] 



THE MAVERICK 

self, [rip starts forivard as though to speak but meets the chal- 
lenging stare of lea and stops short. Returns the stare 
defiantly and then accepts the situation.^ 

ROSE 

\Turning to rip pleadingly.'] Rip it is not so, you did not 
say it. \^He looks at her longingly for a moment, then turns his 
back and bows his head.] 

LEA 

And perhaps you didn't know that less than a year ago he 
was in a shooting scrape over another woman. 

RIP 

[Turns on him savagely.] Don't go too far, 

ROSE 

[Looks at him in horror.] Rip! 

LEA 

Come daughter, we will go. [Puts his arm around her.] 

ROSE 

[Sobbing.] Rip, I can't believe it. I thought you were differ- 
ent, so manly and honorable — but even you, Rip. 

RIP 

[Starts tozvard her ivith his arms outstretched.] Rose I swar — 
[Then he catches lead's defiant glace again. He turns and ivalks 
down to table and stands zvith head bozved as they go out door in 
flat. He walks up to door and back to table.] And this is the end ! 
I was a fool. I might have known no such happiness could ever 
come to a Maverick like me. She is gone out of my life, and 1 
reckon I'll just keep on being a Maverick till the end. 



CURTAIN 



[page 12] 



THE MAVERICK 
ACT I 

Scene 1 : Morning of a spring day, three years later. Front yard 
of the Loring home, Rio Seco, Nezu Mexico. Porch to right 
extending out. Fence along left and rear. There is a gate 
left 2E., almost in front of the porch. A set tree dozvn, left, 
flower bed center of stage. A large comfortable rocker 
on porch, a side saddle hanging on ivall. 

Maria: [Discovered szveeping porch. Siveeps steps, sits dozvn 
zvith broom under her arm, rolls cigarette and goes in house 
smoking. As she goes in tzvo cozvboys, chicken bill and 
GINGER blue ride in hack of fence in rear and aroundtogate. 
They both turn sidezmys in their saddles, one leg throzvn 
over saddle and looks sheepishly at each other, ginger rolls 
cigarette, passes paper and tobacco to his companion, zvho 
then rolls cigarette. Both smoke. ^ 

CHICKEN 

Wal, whar's yer nerve? Coin ter keep me sittin here all day? 

GINGER 

Whar's yourn? I don't see you makin any stampede toward 
the house. 

CHICKEN 

I never lowed to — you done the invitin on this deal. I jest 
come along to keep you company, and sorter encourage you like. 

GINGER 

The hell you did ! I suppose you don't even want to look at 
her? 

CHICKEN 

Well, I haven't got it as bad as you have, anyhow, [mamie 
comes out on porch zvith hook in hand, starts to sit dozvn and sees 
the boys. She drops her book in chair and starts out to gate to 
meet them.] 

[page 13] 



THE MAVERICK 

MAMIE 

Well, boys, good morning. 

[Both boys dismount hurriedly and awkivardly. Mamie opens 
gate and stands against it while she shakes hands zvith them.] 

CHICKEN 

Howdy, Miss Mamie, howdy. [Shakes hands.] 

GINGER 

Good mornin to yer. [Shakes hands.] 

MAMIE 

[Holding gate open for them.] Won't you come in? [ginger 
starts to accept the invitation, but is stopped by his friend's hesi- 
tancy and speech.] 

CHICKEN 

We ain't hardly got time this mornin. We jest lowed as how 
we'd drap in an see how the Jedge is gittin along. 

GINGER 

Not as how we wouldn't like to make you a visit — but business 
afore pleasure is vv^hat Rip says. [They mount.] 

MAMIE 

[Trying to hide her concern.] Where is Rip this morning? 

CHICKEN 

Reckon he'll be along this way directly. We're expectin the 
Jinglebobs back offen the roundup today and Rip's coming in to 
ree-plenish the grub supply. 

GINGER 

How'd you say the Jedge was. Miss Mamie? 

MAMIE 

He seems to be resting easy this morning. He passed a rest- 
less night and just went to sleep a few minutes ago, or I'd ask 
you to see him. 

[page 14] 



THE MAVERICK 

GINGER 

We don't want to disturb him. We'll be driftin now, ma'am, 
and if there's anything we can do for you jest let us know. 
[They exit right.] 

MAMIE 

Good bye, boys. Maybe you can find time to stop on your 
way back. [SJie zvalks over to fence in rear and ivaves at them.] 
I wonder why Rip stayed away yesterday. He don't know how 
I miss him or he'd come oftener. {Looks dozvn the road in other 
direction.] Oh, there's some one coming now. Yes, it's Rip. He 
mustn't know I've been watching for him. {Runs back to porch 
and sits dozvn in chair, picks up hook and appears to be reading 
As RIP rides on at a gallop she jumps np ziHth a surprised look 
on her face, and runs dozvn to gate to meet him.] Good morn- 
ing Stranger, you took me by surprise that time, didn't you ? 

RIP 

{Dismounts, throzvs bridle over gate post and rushes in to meet 
her. Takes both her hands in his and laughs heartily.] Now look 
here, little pal, you know you can't fool me that way. Remember 
I can see just as far as you can and I saw somebody down at 
that fence a minute ago. {She hangs her head.] Come now, 
fess up, playin possom on me again, eh? {Laughs heartily, she 
looks lip and laughs zvith him.] My, how pretty you are this 
morning. And how's the Judge? 

MAMIE 

He is sleeping now. He was worrying all day yesterday be- 
cause you didn't come. He says he wants to see you on some 
important business. He had an awfully poor night last night, 
and Rip. I just know he can't last much longer. Dear old dad, 
what a hard fight he's made, knowing all the time there wasn't 
any chance for him to win. 

RIP 

Its too bad, little pal, that things have to be the way they are, 
but we both know what it means when a consumptive gets that 

[page 15] 



THE MAVERICK 

rattle in his throat and that Httle spot of red high in his cheeks. 
He has made a brave fight, knowin the cards were stacked against 
him. You've been brave too, and you must keep on bein brave 
and prepare yourself for the worst. 

MAMIE 

I know it, Rip ; I've realized that the end was drawing near. It 
is only your help that has made me strong enough to bear it. 
[Starts to cry.] 

RIP 

There, there, now, we won't think of it any more, we'll just 
hope for the best. [Trying to cheer her up.] And if your father 
has got so much to say to me, I reckon I'd better take my horse 
to the shed and feed him. Besides I've made some plans for 
the future and I want to tell you all about them. 

MAMIE 

Oh won't that be fine, and you can stay all afternoon. [Rip 
throTvs down his gloves on corner of porch, leads horse through 
gate and around back. Mamie goes over and picks up gloves and 
kisses them. Lays them dozvn and starts to go in.] I wonder 
what his plans are. Maybe they're like mine. [Just as she 
starts to go in faro jim comes around corner of fence. She' 
hears him and turns. He is standing ivith hat in hand. She 
gives a startled exclamation.] 

FARO JIM 

I wish you good morning, Mamie. [He ivalks in through 
gate.] 

MAMIE 

[Showing fear in her expression and speech.] Good morn- 
ing. Faro Jim. 

FARO JIM 

Now I don't think you are fair with me. Haven't we been 
friends long enough for you to drop the "Faro" and call me 

[page 16] 



THE MAVERICK 

plain "J"^"* ?" ^"cl why do you always tremble when I'm around ; 
are you afraid of me? 

MAMIE 

[Hesitating.] Oh, no, I'm not afraid. I must go in and see 
father now — you'll excuse me, won't you? 

FARO JIM 

Its always the same. You always find an excuse when I want 
to talk to you. But you are going to listen to me this time, if 
never again. I'm not the man to lay down until I've seen the 
other fellow's hand. I've lived a wild reckless life, I know, 
but there's one thing good in it, and that's my love for you. 
[Mamie steps back startled.] Yes, I've loved you ever since 
you and your dad first came to Seco. I want you — want you 
for my own, and I mean to have you. Your old man's goin to 
cash in soon and you'll need some one to take care of you then. 

MAMIE 

[Excitedly.] Faro Jim you have no right to talk to me this 
way. I would never marry any man unless I at least respect- 
ed him, and I have never had any respect for you. I'm always 
afraid of you. 

FARO JIM 

You did have some time for me once — before Gentleman Rip 
came to Seco. He's made the change. [Picks up the gloves.] 
Eh, huh, he's here now. [Pleadingly.] Don't be too hasty about 
this matter, little gal. I've done real well since I've 

been out here and I've gathered together more of this world's 
goods than your handsome puncher, and could take better care 
of you than he could. 

MAMIE 

Don't come to me boasting of your filthy money. Faro Jim, 
for I know how you got it. I know that every dollar of it was 
the hard earned wages of good-hearted cowboys, most of them my 
friends, and that you took it from them by trickery and cunning. 

[page 17] 



THE MAVERICK 

FARO JIM 

I staked my money against theirs and they lost; that's a fair 
game, isn't it? 

MAMIE 

Yes, if it's played fair, but you've never played fair, [faro 
JIM starts.] Oh, I know you're the cleverest card shark on the 
plains, and your talking to me of love is infamous and cowardly. 

FARO JIM 

[Desperately.] Look here, Mamie, I've never wanted anything 
in my life like I've wanted you, and I haven't thrown down my 
hand yet. I never quit a game until the last card is played. 

MAMIE 

[Thoroughly aroused.] Faro Jim, you go. [Pointing to gate.] 
Before I call Rip. 

FARO JIM 

DamiU Rip ! [Looks at her defiantly, then starts aivay.] Oh, 
very well, I'll see him later. [Goes to gate, where he turns and 
looks at MAMIE, shrugging his shoulders defiantly, then exits in 
same direction the cozvboys have taken, mamie shudders and 
covers her face zvith her hands as rip comes on from back of 
porch.] 

RIP 

Why Mamie, what's the matter? Is the Judge worse? 

MAMIE 

[Sobbing.] No, Faro Jim has been here. [Rip loosens his 
gun and takes a step azvay from her. She grasps him by the 
arm.] No, Rip, no trouble with him — you promised me that you 
know. 

RIP 

You know I don't want trouble, Mamie, but this gambler's 
got to quit bothering you. 

[page 18] 



THE MAVERICK 

MAMIE 

[Trying to smile through her tears.] Let's don't worry about 
him. Rip, this is too nice a day to spoil and we will talk only about 
subjects which are bright and happy. Come and sit down now 
and tell me about these wonderful plans of yours. You may 
sit on the step there. [SJie sits doivn in chair and Rip sits on 
step at her feet.] 

RIP 

Why, little pal, its nothin so very wonderful — just some 
foolish notions of mine. And I hardly know where to start or 
how to say it. I've always been just a cowboy and I love the 
west, its rolling prairies, its big hearted men, and its work. 
But there was born in me a restlessness — it must have been just 
the start of what has grown into a great, overwhelming desire. 
It is vague, yet powerful ; but it is always there, urging me 
on to fields of new endeavor — to go out into the world and make 
my way among men — I reckon some folks would call it ambi- 
tion. It has been with me so long that its grown to be a part of 
my nature, but after all its only a dreamy sort of ambition, for 
I've never had the stamina or courage to accomplish anything. 
Yes, I've been a dreamer, Mamie — just a dreamer, that's all. It 
takes work and courage, and strength to win, and these are the 
things I lack. Ah, well, I've always been just a Maverick, any- 
way. 

MAMIE 

Several times you've spoken of yourself as a Maverick, Rip, 
and I can't see why. No one could have more friends than you — 
everybody likes you. That isn't being a Maverick is it? 

RIP 

I first got the idea from my mother — they were her last words 
to me, as she called me to her and said, "My little boy, you'll be a 
Maverick soon ; you'll be turned out on the great range among 
all the wild herds to shift for yourself." So it always seemed 
to me that I was an alein — not that I haven't had friends, for I 
have, and the staunch, loyal friends that are to be found only on 

[page 19] 



THE MAVERICK' 

the plains of the west. There was John Selby, and there is 
Ike, dear old Ike, who has been closer to me than any brother 
could have been. Then you and the Judge have been as sister 
and father to me. You took me into your home and cared for 
me when I was hurt and a stranger here, and you've both given 
me new life and new hopes. When I came to Seco three years 
ago, I was on my way East. But I made friends here and found 
pleasant surroundings, so I have kept putting off my going from 
time to time. 

MAMIE 

But, Rip, what is this longing of yours ? What aim have you 
in view? What do you wish to accomplish? 

RIP 

Nothing definite — its just an ambition to do something beside 
punching cows — to accomplish something big, to make myself 
felt in the world. 

MAMIE 

Rip, there are just as big things to be accomplished here as 
anywhere. The West needs its big men, even more than 
the East. There is a great work here. Rip, for those who will do it. 

RIP 

I know that, too, but its a sort of restlessness that makes me 
want to catch step with the march of civilization. I want to feel 
the heart throb of a busy world. 

MAMIE 

[Sloivly, as though just realising zvJiat his talk means.] Then, 
Rip, you are going to leave Seco? 

RIP 

Yes, that's it. Maybe I'm foolish, maybe I'm all wrong, 
but it isn't the inspiration of a moment, Mamie, — its the desire 
of a life time. Whether it brings success or failure, I must go. 

MAMIE 

And when are you going? 

[page 20] 



THE MAVERICK 

RIP 

Soon now. The roundups are coming in and when the Jingle- 
bobs are all back, I can go. 

MAMIE 

[Suppressing a sob.] But you won't go until — until after — 

RIP 

You mean about your father, Mamie? [She nods her head, 
sobbing.] No, I won't, little sister, I will stay with you until 
that is over. 

[The JUDGE is heard calling "Mamie" from the house.] 

MAMIE 

There's father calling, I'll see what he wants. [Wipes her 
eyes, rip zvalks doivn to gate and looks dozvn the road, then 
goes back on porch. Sees mamie bringing her father out, steps in 
and comes out zvith his arm around the judge, mamie brings 
pillows which she arranges in chair, judge sits dozvn slowly.] 

JUDGE 

[Coughs violently.] There now, the fresh air will do me 
good. When did you come. Rip? 

RIP 

Only been here long enough to put my horse away. 

JUDGE 

That's right, then you'll stay a while. 

MAMIE 

[Bending over judge very tenderly.] Are you sure you're all 
right, father dear? 

JUDGE 

Feeling just fine. Don't worry about me. 

MAMIE 

Well, then, I'm going to leave you two to entertain each other 
while I get you a nice lunch. 

[page 21] 



THE MAVERICK 

RIP 

I must go in to Seco after lunch and order some supplies for 
those hungry Jinglebobs. [Exit mamie into house.] 

JUDGE 

[Delighted.] Are the Jinglebobs home again? 

RIP 

Not yet, but they were out at Penyosco this morning, so I ex- 
pect they'll be in town this afternoon. 

JUDGE 

I'd love to see them again before I go. They're a fine bunch 
of men, Rip. If they come too late, tell them that I love them 
all, and to remember that some day each of them will have to 
follow me over to the Great Roundup where the Range Foreman 
of the Universe cuts out his own and leaves the rest for the 
rustlers. [Again coughs violently.] 

RIP 

[Starting up with outstretched hand.] Don't, sir, don't talk 
that way. You're not through yet. 

JUDGE 

Yes, I am — I know that my time has come. I've held on long- 
er now that I should have. There's just one thing, that's kept 
me so long, and that's — 

RIP 

[Sloidy.] Mamie. 

JUDGE 

Yes, Mamie, She'll be alone when I am gone, Rip. I've raised 
her alone. Why it will be just like taking a little calf from its 
mother and turning it loose on the wild, bleak prairies, with no 
protection from the coyotes or the wolves and no shelter from 
the summer's heat, or the winter's chill. 

RIP 

Yes, but its different with Mamie, sir. Why there isn't a boy 

[page 22] 



THE MAVERICK 

on the range who isn't her friend — who wouldn't fight for her at 
the drop of his hat, or who wouldn't give her his last dollar. 
She'll never want for care, or love or kindness. 

JUDGE 

It isn't that, I know she has plenty of friends — good friends, 
but just friends don't fill a woman's life, my boy. They need a 
good man's love to make them happy. Rip, I've been like a fath- 
er to you, and you're just the kind of a man I would like to have 
had for my son, if God had ever given me one. So I'm going to 
talk to you now just as though you were my own boy. I'm go- 
ing to talk for Mamie's happiness — and your happiness, too. 

[Rip has a startled look as tho he realises ivhat is coming.] 
I've watched with gladness in my heart how you and Mamie 
have been drawn toward each other. I know she loves you with 
all her heart, and I know that you are the one man who can 
make her happy after I'm gone. 

RIP 

[Trying hard to conceal his emotion.] But, sir — 

JUDGE 

Oh, I know the only reason that it hasn't happened long ago 
has been my condition. I know that you intend to take her 
some. day, and I want to ask you, Rip, to make it now — now, 
before I go. Then I can leave happy, knowing all is well with 
her. I shall not see the' sun sink behind old Capitan today, and 
this is the last wish of an old man's heart. 

RIP 

[During the judge's speech turns his head azvay and depicts 
by his facial expression, first his surprise, then the fight zvith him- 
self as he realises that ivhat the judge is asking him means the 
giving np of his ambitions. Gets up slozvly and zvalks dozvn 
stage.] My God, he don't know what he's asking — but he thinks 
I love her. I can't forget all they have been to me. I have never 
done any particular good in the world, and I reckon this is my 
chance. [Hesitates, then a look of determination comes into his 

[page 23] 



THE MAVERICK 

face.] I'll do it. [Goes back to Judge.] I — I reckon I have 
been kind of bashful, sir, I'm right smart glad that you took a 
hard job off my hands so that I didn't have to ask you. [Alakes 
poor attempt to joke.] I thought all along I was keepin it from 
>ou, and you knew all the time. [Seriously.] I know I'm not 
half good enough for Mamie, and I know that she could get a 
man that amounts to somethin in this world, but I'll try and 
make her happy, sir. So help me God, I will. But I've never 
asked her yet if she loved me, and I don't know if she'll agree 
to such a sudden marriage. 

JUDGE 

I know her better than you do, my boy, and I know that it will 
be alright. I had it all planned and knew just how it was com- 
ing out today, for I sent word to Parson Henry to come over 
here this afternoon. [Coughing.] We haven't any time to waste, 
for I can't last through many more of these coughing spells. 
[Coughs.] Its the beginning of the end, Rip, its the beginning 
of the end. Take me in and tell Mamie, [rip puts his arm 
around him and takes him into the house. Comes hack on porch 
as MAMIE comes in yard. 

MAMIE 

[With a startled expression.] Rip, where is father? 

RIP 

In the house. Come here. [Takes both her hands in his.] 
Little pal, don't be frightened— be brave as you have always been. 
You must know the truth now. Your father says himself he'll 
never see the sun set again, [mamie lays her head on his shoulder 
and sobs.] Brace up, Mamie, for I've got something else to 
say to you. [She looks up expectant.] This ain't a very proper 
time for me to be making love to you, or to ask you to become 
my wife. [With a far azvay look in his eyes.] But I reckon 
you've known all along that I wanted you, and didn't have the 
courage to tell you. Could you take just a common cow puncher 
like me, Mamie — could you? 

[page 24] 



THE MAVERICK 

MAMIE 

Rip, there's something strange about the way you talk. You 
haven't asked me if I loved you. or told me that you loved me. 

RIP 

I didn't think this was a fit time to talk much about love, or 
our happiness, but you must have known all along that I 
[hesitates] love you. Maybe I've taken too much for granted, 
but I just seemed to know that you loved me. 

MAMIE 

Yes, Rip, I do love you, with all my heart, and I'll marry 
you as soon as I can. But you know I must stay with father 
as long as he needs me. 

RIP 

I just asked your father for you, and it seemed to be the ful- 
fillment of a wish of his. And, Mamie, it is his last request that 
we should be married before he passes over the range. We can't 
deny him this wish ; that will mean that this afternoon you 
must become my little wife. Can you do it, Mamie dear? 

MAMIE 

If father wishes it, and if you really want me. Rip, why of 
course I'll do it. Oh, Rip, Rip. [She throzvs her arms around 
his neck and sobs.] 

RIP 

I hope I shall always make you happy, little girl, and that you 
may never live to regret your decision. Now go and get ready; 
and hurry up and dry those tears, for yonder is Parson Henry 
laughing at us. [Mamie jumps azvay very much embarrassed and 
speaks to Parson Henry. He rides up to the gate, throzvs his bridle 
over gate post and comes into the yard.] 

MAMIE 

Good morning. Parson Henry. I — I — Oh, Rip will tell you. 
[Turns and runs into house. Rip comes forward and shakes 
hands zjuith the Parson. He has a foolish smile on his face, and 

[page 25] 



THE MAVERICK 

the Parson is also laughing.] 

PARSON 

So it has come at last, my boy, I've been expecting this and it 
seems I got here just in time, eh? [Laugh.] 

RIP 

You said that for a joke, Parson Henry, but it isn't any joke. 
Mamie and I are going to be married just as soon as you can 
tie the knot. The Judge is almost gone and he wants to see us 
married before he dies. 

PARSON 

It's been a wish of mine, Rip, to join you two young folks to- 
gether and start you happily along life's journey. But I'm sorry 
that it has to be under such unhappy circumstances. You are 
getting the finest little girl ever seen around these parts, and I 
know you'll make her happy. 

RIP 

I'll try, sir, I'll try. Go in. Parson Henry, and see the Judge 
I'll follow in a moment, [parson goes in. rip zvalks slozvly dozvn 
to gate and leans on it, then says,meditatingly] "I am of the West 
why shouldn't the West claim me for its own." [Walks back 
to house, gets half zvay up the steps, and then turns.] Farewell, 
dear old dream life. Good bye my ambitions, my hopes — 
and Rose. I hear you calling from the far places, but duty's 
call is close at hand, and I must follow. [With one hand out- 
stretched toward the front and one tozvard the house, he backs 
slozvly into the house as 



THE CURTAIN DROPS 



[page 26] 



T HE M A \^ E R I C K 

ACT II 

Scene 2 — Afternoon of tJic same" day. Bar room of the Legal 
Tender saloon, Rio Seco. To the right is the bar, extend- 
ing almost the entire depth of the stage; a fezv feet to the 
left in the flat is the door; tozvard the right in the flat a 
small fonr-paned ivindoiv. Dozvn left, is the faro 
table and just back of it the montc table, and in the rear be- 
tzveen the zvindozv and the door is the poker table. The 
door is open from the inside and is tied back. Through it 
can be seen an adobe building, upon it a large sign, nideA 
ly painted, "GENERAL STORE." Through the zvindozv 
also a portion of a building can be seen. As the curtain 
goes up tzvo rough looking Mexicans are playing at the 
monte table, a Mexican dealing, pete is behind the bar, and 
LUCAS lounges against the bar shaking dice idly, faro jim is 
seated in chair at faro table zvith his feet up on table, smok- 
ing a cigarette. 

1ST MEXICAN 
Es mi alsi. 

2ND MEXICAN 

[Threateningly.] Es mio. 

1ST MEXICAN 

[Submissively.] Pues bien. [To dealer.] Dios en el caballo. 

[The dealer pays no attention to their quarrel, methodically 
dealing zvhen they have placed their bets. The conversation 
zvhich follozvs is broken nozv and then by exclamations from the 
Mexicans.] 

FARO JIM 

This certainly has been somethin of a tame summer. Haven't 
seen an}^ excitment for as much as three months. 

LUCAS 

Tha'ts you, all right. Allers lookin fer excitement. Fer myself, 

[page 27] 



THE MAVERICK 

I'm glad when they go away fer a month or two. It sorter gives 
a feller a chance to rest up fer a spell. 

FARO JIM 

Well, I won't stay here another summer. I'll vacate and come 
back again when times gets prosperous. 

PETE 

She'll open up agin purty soon, an be as lively as ever. The 
roundups are all through an the outfits will be driftin in direct- 
ly, an then Seco'll seem natural again. 

LUCAS 

The Jinglebob outfit was out at Penyasco this mornin. They 
orter be ridin in any time, now. 

PETE 

They're the best bunch on the range, an I'm plum tickled to 
death that they're first to roll in. They ain't sparin with the 
dinero, either. They throws it around like it was cheap as al- 
kali dust. 

FARO JIM 

[Sneeringly.] They may be good for your business, Pete, 
but not for mine. [Throws azvay cigarette.] They're too damn 
wise. 

1ST MEXICAN 

Mi cacho aqui. [Pointing to card.] Ei biene el caballo. 
Trente en el tres. 

DEALER 

Want ter play her straight? 

1ST MEXICAN 
Segura que si. 

DEALER 

[Gruffly.] Then put her on the side. [Moves money.] 

[page 28] 



THE MAVERICK 

LUCAS 

I reckon Rip'U be glad when they get back. He looks kinder 
lonesome, lately. Then he sorter belongs to the Jinglebobs. 

FARO JIM 

[Sneo'ingly.] He does seem to hanker after them — more 
than they do after him, maybe. But he's thinking too much of 
the girls lately to do any work. Its a sure sign when they re- 
fuse to go out with the roundup, and take to hanging around 
town. 

LUCAS 

[Pompously.] Gals, hell. Its my opinion he's gettin more 
larnin in his head than's good for him. You know you can fill 
a barrel till she's full, then she's got to run over or bust. Why 
he's allers readin some book or papers, stead of playin poker or 
somethin useful. I can't see what good book larnin is goin ter 
do anybody when it comes to punchin cows. 

PETE 

Larnin is good fer anybody. I never had any relinquish- 
ments in regard to my education. 

LUCAS 

What in hell's that? 

PETE 

That means I ain't never been sorry I got it. 

LUCAS ' 

Well it sounds nice, anyway. 

PETE 

As fer Rip workin, he can work any time he wants ter. He's 
the best puncher on this here range and he can ride with muni- 
ficient eclat, and with a lasso he's simply malevolent. 

LUCAS 

[Thrcatenmgly.] Say young feller, you got anything agin me? 

[page 29] 



THE MAVERICK 

PETE 

Nothin in particular. 

LUCAS 

Then don't throw any more of them dictionaries at me. No 
common poker dealer could stay sober with them things flyin 
around in the air. Then again you're takin advantage of our ig- 
norance. 

FARO JIM 

Who is this Rip, anyway, and where'd he come from? 

PETE 

[Stops wiping his glasses and glares over the bar at faro jim.] 
Whar'd he come from? Well, that is a la-loo-la. Whar'd he 
come from ! You inquirin whar a man comes from, lookin as 
you do. I might as well ask whar you come from, or Lucas, or 
Long John or any of the rest of'em. Why don't you ask me 
whar I come from? [Disgustedly.^ Been here as long as you 
have and don't know yet that's one thing you can't never ask a 
man in this part of the country. Ask him how many mavericks 
he's branded, how many horses he's stole, or how many men he's 
drapped, but never who he is or whar he comes from. [Tzvo 
cow hoys, CHICKEN and ginger, come in and order drinks and 
PETE zvaits on them.] 

LUCAS 

[To Faro Jim.] Now you got Pete plum riled up. He won't 
get over that today. 

FARO JIM 

He's in a corral with all the rest of them. Roped in by Gentle- 
man Rip. [The cozv boys go to poker table after they have finish- 
ed drinking and takes seats zvhile lucas follozvs leisurely, faro 
JIM saunters hack to the faro table, leans hack in his chair, rolls 
cigarette and looks at pete derisively, pete eyes him savagely 
and zvipes glasses furiously.] 

[page 30] 



THE MAVERICK 

PETE 

Whar'd he come from. If that ain't simply mediocrity. [En- 
ter IKE, SAM, MONTE, WALT and ROLY. All arc zveatJier beaten 
and dust begrimed, as tho from hard riding.] [To the dealers 
as he sees who they are.] Here they are boys, [Drops cloth and 
glass he is zviping on the bar and runs out in front to greet them.] 

LUCAS 

The Jinglebobs! [All the dealers and chicken and ginger get 
up to greet the new arrivals. They all stalk around shaking 
hands and greeting each other noisily.] 

IKE 

What'll you have boys, what'll you have? Damn me if I ain't 
as dry as the grass on the Turkey Track range. [They line up to 
the bar and all are supplied with drink. As pete puts different 
flask of ivhiskey in front of monte.] Here, Pete, none of that — 
Monte gets stuff out of the same bottle as ourn. [Pete jerks bot- 
tle from in front of Monte and sulkily replaces it zvith another] 
Now, don't get excited, Pete. As a general rule I ain't got no 
more use for a greaser than you have, but there's a Alexican 
that's a white man. Why he's been with my outfit for three 
years, and he ain't even stole as much as a strap off'n my saddle — 
that is, that I ever knowed about. Sometimes I think that Monte 
has so far forgot the teachins of his race that he'd fight for me 
if I'd ask him to. [Laughing] How about it Monte? 

MONTE 

Mr. Ike, I gotta de great beeg lub een my heart for you, an I 
lak for you plees don' mak a de joke for de Mexican, [to pete] 
Pete ef you'll plees give a fer me de odder wheesky again 
I'll be very much de thank fer you. I don' lak verra much fer 
de fine wheesky. I lak fer de wheesky dat burns lak hell. 
[Pete returns other bottle.] 

IKE 

Suit yourself Monte. If rotgut's what you want, why that's 
what you get. Drink hearty, boys, for this has been somethin 

[page 31] 



THE MAVERICK 

of a hard, dry trip, and I reckon we're all more'n glad to get a 
chance to drink outen a glass again. [Everybody drinks but 
MONTE ivho proceeds to fill his glass to the brim.] 

LUCAS 

Say, Pete, just hand Monte a towel, he don't want no drink, 
he wants to take a bath. [All laugh, monte looks at him 
scornfully, picks up glass and drinks contents zvith one gulp, 
then sputters and makes zvry faces.] 

PETE 

He's corraled that burnin sensation he war lookin fer. That's 
the strongest stuff ever brought to Seco. 

MONTE 

[Wipes off mouth with red bandana, and smacks lips with 
evident satisfaction.] That's not a bera beeg drink. Den I guess 
eef I'll tak de cheep wheesky, I'll getta more fer de same money 
lak you do. [General laughter.] 

SAM 

I say, Pete, how's the Jedge gittin along? 

WALT 

An Mamie, bless her — how's Mamie? 

PETE 

[Takes time to go to end of bar, spit out chew of tobacco and 
wash his mouth, waving at them meantime.] Not so fast, boys, 
not so fast. Take one drink at a time and they'll last longer. 
But beginnin at the first, the Jedge is purty nigh gone — almost 
ready to count up his checks and cash in. 

SAM 

He's hung on some remarkable to be as far gone as he was 
when he come here. 

PETE 

Wal, that's what he come out here for, warn't it — to ree-cup- 
erate ? 

[page 32] 



THE MAVERICK 

IKE 

He's a good citizen fer this here community, and I'm sorry 
that he kain't stay with us. He's had a kind of civiHzin in- 
fluence on this here camp — him and Mamie. I'm sayin he's 
the sort of a man we kain't afiford to lose, but, [solemnly] this 
here's a game where we ain't got no say. 

SAM 

Maybe he ain't as bad as Pete thinks. The first time I ever 
seed him I thought he'd be a goner inside of four weeks. That's 
been four years and he's still hangin on. 

IKE 

If it hadn't been fer little Mamie he'd a give up the fight long 
ago. 

SAM 

Wal, that's a gal anybody could live for, A feller couldn't 
help bein better and happier after seein her. I heerd a pianner 
over to Vegas onct, but it wa'nt half so purty music as that 
laugh of her'n. They ain't a puncher from Seven Rivers to 
Sumner that ain't rid into Seco the last two summers to get a 
look at her purty face — an' maybe a smile, if he was lucky. 

IKE 

[Laughing heartily.] Wal, Sam, you have got it. Whar'd it 
break out first. Look at him, boys, he's in love, he is. Throwed 
clean as a w^histle. [Sobering down.] Course I know she's made 
things different fer all of us, and we all got a great big place in 
our hearts fer her. She's the prettiest flower God ever plant- 
ed in the Valley of the Pecos. It's like as though we'd bring a 
lily and set it out on one of them sand hills, out amongst the 
sage brush and cactus. 

MONTE 

[Whistles.] An de boss laugh a fer de Sam. 

PETE 

How kon-sis-tent ! Tryin to show another man how to ride a 

[page 33] 



THE MAVERICK 

hoss and gets throwed hisself. 
MONTE 

[To PETE earnestly.] An how ees my fren, da Rip? Ees 
it buena, eh? 

FARO JIM 

Monte and Rip are rather loving since Rip saved him from 
being cut up some by that greaser friend of his. Eh, Monte? 

MONTE 

By dam you, Faro Jeem, Rip ees my verra good fren, 

GINGER 

I kinder got a hunch there's somethin doing around the Jedge's 
house today. He told me yesterday to ask Parson Henry to ride 
over thar this mornin. 

PETE 

Thought maybe thar was goin to be a ceremony, Ginger? 

IKE 

Rip wouldn't sit in no game like that unless us fellers got in 
on the deal. 

FARO JIM 

Maybe it's about time there was a wedding comin off. That 
Rip fellow [rip is passing the ivindozv, and on hearing his name, 
stops and listens] ain't talkin much and seems to be awful in- 
nocent, but I'll bet a horse as far as the girl's concerned he's 
got you all skinned a mile. He's with her all of his spare time — 
rides with her, walks with her, eats with her and [rip comes in- 
side the door] oh, well, [ivith a shrug of his shoulders] I'm 
thinkin we're getting so civilized around here, we just naturally 
got to have some kind of a social scandal. 

IKE 

What do you mean, you sneakin coyote ? 

FARO JIM 

You understand English, don't you? 

^ [page 34] 



THE MAVERICK 

IKE 

You wouldn't dare say that if Rip war here, and by God, you 
cain't say it anyway, [ike grabs for his gun and gets it half ivay 
out, zv'hcn RIP grabs him by the arm and steps in front of him. 
FARO JIM is standing with his gun in Jiis hand, puts it back in 
holster and looks at rip defiantly.] 

RIP 

None of that, Ike, this is my trouble and I want to take care 
of it myself. [Speaks to faro tim i>ery slozvly and deliberately.] 
Faro Jim, I've been on these here plains as long as I can remem- 
ber. Sometimes I've found myself in some pretty bad holes, 
but I'm glad to say I ain't never been forced to kill. But if you 
don't take back them lying words [faro jim starts to draiv, but 
rip gets the drop on him by throwing the gun over against his 
hip. rip is leaning over zvith left hand on table, his hat pushed 
back.] I'll send you to hell quicker than you can bat your eye. 
[They look each other in the eye for a moment, then faro jim 
zveakens, and zvith a shrug of Iiis shoulders, sits down.] 

FARO JIM 

Why, if it's going to cause any unpleasantness, I didn't really 
mean anything. I wouldn't say anything against any lady's 
reputation — much less a friend of yours. [Offers to shake hands. 
RIP points to the door, faro jim tosses azvay his cigarette, looks at 
RIP a moment zvith hatred shozving in his every look and zvalks 
carelessly to door.] Well if that's the way you take my apology, 
why watch out Mr. Rip, watch out. [He turns and zvalks by 
zvindozv and rip watches him zvith gun over his arm. As jim 
passes zvindozv he looks in zvith a leer and disappears, rip 
stands looking toward windozv for a moment after jim has gone 
then turns and looks at the boys, and for the first time seems 
to realize who they are. He quickly shoves gun in holster and 
steps forzvard to greet them.] 

RIP 

The Jinglebobs ! I didn't know you were back. 

[page 35] 



THE MAVERICK 

IKE 

Ain't been back long enough to speak of. 

RIP 

Old Alkali Ike, and Sam, and Roly, and Walt and Monte, mi 
amigo, how's Mont? [Shakes hands all around.] It does seem 
good to see you all back again. 

SAM 

It seems like you've kinder strayed from the main bunch these 
days, Rip, but we're gald to round you up once in a while anyway. 

MONTE 

Rip, ef you'll gotta fer de lub den I'll gib fer you de bera 
good advice — don luben too much fer de guirls. Lub ees a bera 
bad beesnais. One time I'll luben fer a little Mexican guirl. 
[Sighs.] Carambo! but dat's a purty guirl. Beeg, black eyes; 
cheeks justa lak a de wild roses. Balga me dios, que bonita! 
All de time she'll say how mucha she'll lub fer me, an den one 
day she'll run away wid a dam Gringo son-of-a-gun. [They all 
laugh.] 

SAM 

Wal, Rip, I reckon you'll have to come through. 

RIP 

[Sloivly.] In one way I orter treat, and then again I can't. 

SAM 

You shorely cain't deny that advice was good enough fer one 
round, anyway. 

IKE 

[Solemnly.] And if you follow it, its liable to save you a heap 
of trouble, and mebbe some heart aches. 

RIP 

In the first place I ain't been married more'n an hour — for 
that I reckon I ought to treat. [They all rush at him trying to 
shake, but rip ivaves them back.] 

[page 36] 



THE MAVERICK 

PETE 

[Solemnly.] Married! I knowed somethin was the matter 
with him as soon as he come in the door. 
RIP 

Then again, ten minutes after I married the old man passed over 
the Great Divide; which means that you all got in just in time 
to attend the funeral. [He leans on the bar zvith his right elboiv, 
facing the audience. The men remove their hats, talk among 
themselves and leave the room in tzvos and threes. The Mex- 
icans are still playing at the monte table, apparently oblivious to 
all else save their game, while pete busies himself cleaning up 
behind the bar. ike and rip remain, rip turns slozvly around 
after they have gone.] It hit the boys some hard, didn't it, Ike? 
IKE 

It weren't a very happy home comin, were it? [Sits on faro 
table.] Now, pard, what's all the trouble and how'd it come 
about. 
RIP 

[Falls dejectedly astride a chair facing ike.] Course you 
know, Ike, what Mamie and the old man did for me when I 
didn't have a friend this side of the Texas line. And I've loved 
Mamie like I would a sister, if I'd ever had one, but the Judge 
got it into his head it was different. And today when he saw 
that the end had come, he asked that we be married. He thought 
we intended to anyhow, and he wanted to see her protected be- 
fore he left. I promised him, Ike, I'd try and make her happy. 
IKE 

[Reverently.] God help you to keep that promise, tho it hadn't 
orter be hard to do. 

RIP 

Somehow I don't feel like I've done the square thing by 
Mamie. She's my wife now and I'm going to make her happy 
if its in my power, but I don't love her, nor I never can. Some 
day I'll tell you why. Knowin this, tell me Ike, do you think 
I've done what's square? 

[page 37] 



THE MAVERICK 

IKE 

I don't know what some folks might say, but as fer me — well, 
Rip, I've been proud of you the time you've been in Seco cause 
you've always showed yourself to be a man, and I can say I'm 
prouder of you now than I ever was before. [Both standing, 
center, they clasp hands as 



THE CURTAIN FALLS 



[PAGE^ 38] 



THE MAVERICK 

ACT III 

One year later. Chuck zvagon of the Jinglebob cozv outfit on the 
plains at night, going "over the trail." The wagon is stand- 
ing with hack to audience, harness on front zvheels; the 
ivagon bed piled high zvith bedding. The back of the 
chuck box is hanging doivn, and is littered zvith cooking 
utensils, baking pozvder cans, etc. It is just getting dusk 
zvhen the act opens but later the moon comes up. In the 
background are mesquite bushes and an endless waste of 
prairies. Newt takes camp oven off the fire, empties out 
pan of biscuits and covers them zvith a cloth. 

NEWT 

[Busying himself about the cooking.^ I clar to goodness, it's 
about time some of them punchers was comin in to eat. De fust 
night watch done been gone an hour. 

MONTE 

Whassa madder, Newt? Gotta all a time sumetin wrong. 

NEWT 

I don like to cook up a bunch of biscuits, and den have 'em 
all git cold. Come on hyar an help me trow down dis hyar bed- 
ding afore dey gits hyar. [Neivt crazvls up on wagon and hands 
dozvn bedding to Monte, zvho strezvs it on the ground around the 
zvagon. After this is finished Monte rolls a cigarette and Nezvt 
goes on zvith his cooking.] How'd you and Faro Jim git along 
today with the remuda? 

MONTE 

Purty good, I'll guess. I'll do all a de work. Faro Jim couldn't 
rad a fer de sheep. Rip's pinto boss trowed heem tree tams dees 
mornin. 

NEWT 

[Laughing heartily.] Good fer Pinto. Ah don know what 
Faro Jim's doin goin over de trail anyway. He don know 
nothing about punching cows. 

[page 39] 



THE MAVERICK 

MONTE 

Naw, but heem know about de Rip. Rip goota de drop on 
heem one tarn an he don forget. Den [confidingly] he'll luben 
fer de leetle Mamie. If Faro Jeem can help, Rip no see Rio Seco 
no more. 

NEWT 

He allers seems friendly to Rip. 

MONTE 

Too dam friendly — just lak de rattlesnake. [Gets guitar and 
picks the strings idly, timing up. newt zvorks ivith the cook- 
ing.] 

NEWT 

Whut's de matter wid Rip, dese days, anyhow? 

MONTE 

I don know what in hell's de madder wid heem. Don never 
hear for heem whistle anymore when he rad hees watch — they 
ain't no more smales in hees face. Guess he ain't gotta bera 
much for de happiness. [Sighs and shrugs his shoulders.] Wal 
I'll tol fer heem don getta fer de lub. [Plays and sings Spanish 
song.] 

NEWT 

[Stops and listens to monte intently during the singing, then 
rouses himself after Monte has finished.] Dat ole music box 
am a heap o' trouble to ole Newt somictimes, but I reckon it air 
wuth it after all. 

MONTE 

Dat's ma bera best frien. [Plays softly.] 

[sAM, WALT, IKE and ROLY ride up and dismount, unsaddle, 
turn horses loose and bring saddles and bridles dozvn front, dis- 
tributing them among the bedding.] 

SAM 

[Boisterously.] What's that, Mont, homesick again? [Monte 
looks at him disdainfully and puts up the guitar.] 

[page 40] 



THE MAVERICK 

IKE 

Air she ready, Newt? 

NEWT 

Yes, suh — ben ready fer mos half an hour. 

SAM 

[IVashing.] Give me a dozen biscuits an a hind quarter. 

NEWT 

[Looking up in amazement] Will ye hev it cooked, suh? 

SAM 

Well I reckon I could most eat it raw, I'm so blamed hungry, 
but you mout as well sizzle it a leetle mite. 

NEWT 

All right, suh. 

[The men are ivashing, meantime, out of one pan of water 
which they refill frequently out of a keg on the side of the zvagon, 
two washing at a time. After ivashing they sit around on bed- 
ding and boxes while Newt gives them each a tin- plate of 
victuals.] 

ROLY 

Whar you reckon we air at now? 

IKE 

Well, we're getting out of God's country, anyhow. 

WALT 

I war prospectin round a bit this mornin an I rid further than 
I thought. About ten miles east of here I run across a big 
ranch house. Scrumptious big house and [enthusiastically] the 
purtiest gal you ever sot your eyes on. Reckon she must have 
come from the city by the way she talks and the fine duds she 
wears. But she warnt a bit stuck up. Say, you orter see her 
smile. Every time she smiled at me I felt just like it does when 
you get thro wed good and hard by a bronc an don know just 

[page 41] 



THE MAVERICK 

exactly whar you're goin to light. Her name's Hattie Baird an 
her old man owns the whole sheebang. 

IKE 

Cap. Baird's place. We're further along than I reckoned, but 
then this is the first time I ever travelled this here trail — allers 
went around the other way. 

WALT 

I'm goin back that way in the mornin, if you all wants 
anything. 

ROLY 

You better take a couple of hours an fix yourself up tonight 
if you're goin courtin. 

SAM 

I got a first class pair of checkered pants you can wear if 
you want ter do it grand. Brought'em along fer just such emer- 
gencies. Course they may not just exactly fit you, but I reckon 
they'll do with a little fixin. 

NEWT 

Law, honey, I done used them pants tree weeks ago to clean 
de laterns wid. I didn't spec' you'd need 'em on dis hyar trip. 

[They roll cigarettes while Newt picks up tin plates, cups, etc., 
and cleans up the chuck board.] 

SAM 

Anybody feel lucky tonight? 

ROLY 

No more cyards fer me. I already owe my month's wages 
to Faro Jim. 

SAM 

Ike, 'taint none of my business, I reckon, but I'd like to ask 
you how in hell you ever got the idea you could make a cow pun- 
cher out of Faro Jim. 

[page 42] 



THE MAVERICK 

IKE 

I never got no such fool notion in my head. He asked fer a 
job — said he wanted to go over the trail, and was willin to do any- 
kind of work in order to get the experience, so I give him a job 
helpin Monte with the horses. 

SAM 

Don know but what he's more trouble than he is good. 

MONTE 

[To Ike] Hees no good for nutin. I'll lak a new man for 
helpin me. 

IKE 

What's the matter with Faro Jim? 

MONTE 

I'll lak a for de work, but I don lak vera much doin hees 
work too. 

IKE 

He's tryin hard enough, Monte, an he'll improve. Just give 
him time. Besides he takes his turn on the watch with you, 
don't he? He's thar now, ain't he? 

MONTE 

Yes, but when I go back I don know eef de horses be there or 
not. 

[They sit around on bedding smoking cigarettes. Roly sings, 
"My Lover is a Cowboy." 

My lover is a cozvboy, 

He's kind, he's brave, he's true, 
He rides a Spanish pony 

And he throzus the lasso, too. 
And zvhen he comes to see me, 

And our vozvs zve have redeemed. 
He throzvs his arms around me 

And thus begins to sing: 

[page 43] 



THE MAVERICK 

- / am a jolly cozvhoy, 

From Texas noiv I hail. 
Give me my saddle and pony. 

And I'm ready for the trail. 
I love the rolling prairies, 

Where I'm free from care and strife. 
And behind a herd of long-horns, 

I'll journey all my life. 

IKE 

[After he has finished singing.] Newt, whar's Rip? 

NEWT 

Ain't seen him since mornin, suh. 

SAM 

What are you allers worryin about Rip, fer Ike? Can't he 
take care of himself? 

IKE 

Sure; but its my duty to keep track of all of you, ain't it? 

ROLY 

I found one of Rip's books layin around this mornin, an thinks 
I to myself, I'll just see what this cuss is readin about all the time 
that makes him so lonesome and sad like, an what'd you reckon 
that book was about. [They all look at him, then at each other.] 

WALT 
I pass. 

ROLY 

"History of Ancient Greece." Now what the devil do you sup- 
pose he wants to be spendin his time readin about old grease 
for? 

NEWT 

Ah reckon it must hev been dat tub o'butter Ike got me last 
trip to cook wid. Ah'd like to know dat butter's full history. 

[page 44] 



THE ^I A V E R I C K 

SAM 

It was come ancient, all right. 

WALT 

[Throwing away cigarette and yazvning.] I'd rather sleep any 
time than read such truck as that, 

IKE 

[Sarcastically.] It don't seem to hurt his usefulness none. He 
manages to do about as much work and do it as graceful as any- 
body in the bunch. 

RIP 

[Heard singing off tsage.] 

"Oh, bury me not on the lone prai-rie, 
Whar the wild coyote shall howl o'er me." 

NEWT 

Thar he comes now. 

SAM 

Rip shorely ain't meant for no singer. 

WALT 

Nope — thats the only song he ever sings, an he's got about 
four hundred different tunes fer that. 

RIP 

[Having unsaddled his horse, comes down stage bringing 
saddle and bridle.] Well, Newt,, anything left? I'm as hungry 
as a bear. [Throws down saddle and prepares to wash. After 
washing takes out pocket comb and combs his hair.] 

NEWT 

Hungry? For de Lord's sake, what's gwine to happen? 

MONTE 

Rip gotta de hungry ! Huh ! 

RIP 

[Gets pan of victuals from Nezvt and sits dozvn to eat.] This 

[page 45] 



THE MAVERICK 

is some pretty of a night boys. Look at the moon out yonder, 
shinin down so soft an meller, bathin the sleepin prairie in a 
flood of golden light. Ain't it all a glorious picture, a fit subject 
for the hand of a master artist? Why, I could of rid around 
out yonder all night. 

MONTE 

[Motioning to his head.] Always de pretty night, de stars, 
de flowers, de birds ! Huh ! Damn good biscuits, eh Rip ? 

RIP 

Are they? [Looks at Newt approvingly.] Well I guess the 
Jinglebobs' got 'em all skinned fer cookin. 

NEWT 

An fer eaten too, Ah reckon. [They all laugh.] 

MONTE 

Say, Rip, Pinto ain't been vera nice horse today. 

RIP 

Up to some of his old tricks, Monte? 

MONTE 

He trowed Faro Jim tree times today. 

RIP 

[After they have finished laughing.] Well, vve must give 
Faro Jim credit for bein game, anyway. He's allers ready to 
try again. Its kind of like the time when Bud Wilson's brother, 
Charley, came over from England on a visit an tried to ride 
Buckskin. Buckskin was as treacherous as a Mexican. He'd 
go along as peaceful as a sheep as long as he was walkin, but 
if you'd start him off any fatser he'd buck blue blazes. Charley 
had been braggin the night before about how they taught ridin 
in the ridin schools of "Hengland, doncher know." So we all 
gathered around to see the big bronco bustin. We were soon 
disappointed, tho, when Charley crawls on Buckskin and rides 
off in a v/alk down into a draw and out of sight. About ten min- 

[PAGE 46] 



THE MAVERICK 

utes later he comes limpin back lookin like he'd been wallerin in 
the dirt. His purty pants torn, his eye-glass was gone, an he 
was covered with dust from head to foot. "What's the matter, 
couldn't you ride him?" says Bud. "Oh, yaas" says Charley, "I 
could ride 'im alright, but the bloody bugger 'e 'umped 'is back 
till 'e 'it 'is 'ead, and hi couldn't remain in the seat, you know." 
[Laughs all around.] As long as he was there I never heard 
Charley bragging again about the ridin schools of "Hengland." 

IKE 

Too bad we couldn't have the benefit of some of them fancy 
ridin schools. 

RIP 

[Stretching.] I reckon we'll have to worry along a while 
longer doin the best we can without 'em, 

ROLY 

[To Rip.] Sam here, is dyin fer a game of cards. Want to 
get in? 

RIP 

I reckon not. I don't feel like cyards tonight. 

ROLY 

[Stretching.] Well, if thar ain't goin to be no excitment, I 
guess I'll roll in. I'm mighty nigh played out. 

SAM 

I guess I'm ready myself. 

NEWT 

[Chuckling to himself.] 'E 'umped 'is back till 'e 'it 'is 'ed. 

[Laughs loudly.] 

IKE 

Its time you was gettin some sleep, Walt and you too, Roly, 
both of you goes on watch at twelve. [All unroll bedding dur- 
ing this conversation, ike and rip pull beds down stage, left, 
and unroll them. The boys pull off their boots, take their guns 

[page 47] 



THE MAVERICK 

and put under their heads and lie dozvn.] Rip, I've been wantin 
to have a word with you fer quite a spell. [Both roll cigarettes 
and smoke.] You ain't seemed like yourself for a long time now 
— not since — well — 

RIP 

Not since I was married, is that it, Ike? 

IKE 

You're on the right drift, boy. [Slozvly.] Rip, before you come 
out here thar wasn't nothin I ever keerd for much, but my 
horse an my gun. They was the only friends I ever found what 
allers stood by me when I was in a pinch. You're the only real 
pard I ever had, an since the sunshine has gone from your face, 
why I'm ridin around all day with a big load on my heart. 

RIP 

Ike, you're the best pard a man ever had, an I tell you when 
you're whole nature's tryin to stampede, its mighty good to 
know you'v got one friend that'll stand by you. I don't know 
how mean a horse thief feels, but sometimes I think I must 
feel like one. I tell you its hard to live a lie day after day afore 
somebody what thinks you're brave, and strong and true. Its 
hard even when you believe you're doin what's right. Sometimes 
when I feel her kisses hot on my lips, her lovin arms around my 
neck, it seems that I can't stand it any longer, cause always at 
them times, standin just on the edge of the shadows, I see Rose 
beckonin to me. I forgot, you don't know about Rose. She 
come into my life down in Texas, down in San Antone. It allers 
seemed to me she was part of the life to which I belonged. I 
saw more of her than I ought, until before I realized it, I was in 
love. Then her father got wind of my feelins an I guess he was 
plannin somethin better fer her than marryin a cow pnucher, so he 
took her away from me — back to her fine friends. If she hadn't 
come into my life first, Ike, I might have been able to do the 
square thing by Mamie. I thought maybe I'd get over it after 
I was married, but I guess when a feller once gets branded by 
love, it won't never wear off. 

[page 48] 



THE MAVERICK 

IKE 

Why didn't you tell me this, Rip, we could have done some 
other way about Mamie, if you loved someone else. 

RIP 

It wasn't that so much, Ike, because I knew Rose had gone 
from me forever. The hardest of all was tiein myself down an 
givin up my ambition. 

IKE 

I don't know much about this here ambition, nor books, nor the 
people out thar in the cities. I reckon I've gone my limit now, 
when I'm the boss of a cow outfit. But I'm older than you be. Rip, 
my boy, an let me tell you you're on the wrong trail. 'Taint 
so much what people think of you ; 'taint how many people 
knows yer name, that'll count fer you in the Great Roundup 
but its whether you've done what's square. 

RIP 

Do you mean to tell me that you think its square fer me to 
go on livin a lie to that little gal, to make her think I love her, 
when the very deceit of it all is killin me? Why every lovin 
word from her is like a poisoned dagger to me, to stab me an 
make me feel what a miserable thief I am. 

IKE 

My boy, you're playin the greatest game of your life. The 
stake is your happiness, and the happiness of that little gal. Who 
knows, Rip, that while you think you've been bluffin, some day 
you'll look again and find that all the time you was holdin a 
royal flush. 

RIP 

Who knows, old pal, who knows ? Ike, with your friendship 
to help me, I reckon I could beat any game. [Stands up and 
stretches.] I've worried you enough with my troubles, an now 
I'm goin to take a walk out thar on the plains an let you rest. I 
can't sleep tonight, Ike, an when I'm that way the only thing 

[page 49] 



THE MAVERICK 

that does me good is to be alone, alone in the solitude of the 
prairie. Its kind of satisfyin to me, like a drink of water to a 
man dyin of thirst, [gets nearly off, then turns.] But do you 
know, Ike, I believe I am holdin that hand you spoke about. All 
I need is the ace of hearts, an maybe I'll draw that. [Dliring 
the last part of his speech monte has been watching him and as 
he goes off monte gets up cautiously, takes lariat and follows 
him stealthily.] 

IKE 

[Speaking very slowly.] It seems to me that everythings turn- 
ed upside down in this old world. The things that are, orten to 
be, and the things that orten to be, are. Here I've loved Mamie 
since I first sot eyes on her, altho I knowed she couldn't never 
care nothin fer me. She thinks thar ain't nothin in the world 
but Rip, an he can't love her no matter how much he tries. 
[Drowsily.] It seems that he can't be happy with her now, but 
maybe some day he'll find himself on another trail an that he 
can't be happy without her. I hope so, I hope so. An I'm goin 
to show him whar he's wrong an make him love her. [Throws 
away cigarette and falls back drowsily. A shot is heard in the 
distance and rip is heard calling "Ike, Oh, my God, Ike." ike' 
raises up on his elbow.] Whar was that? 

ROLY 

[Springing up.] Ike, thar's a shot an somebody callin you. 

RIP 

[Weaker.] Ike! 

RIP 

Its Rip. That's the way he went an he's in trouble too. [Ike 
and Roly hurriedly pull on boots. Ike finishes first, claps his hat 
on his head and hastens out, saying to Roly.] Come on Roly, 
wake Newt first and don't forget your gun. 

NEWT 

[Wakes up lazily as Roly exits after Ike. Lights a latern and 
pulls on boots, yazvning.] What's all dis hyar scuf^lin about — 

[page 50] 



THE MAVERICK 

must be sumthin wrong wid de herd. 

[Roly runs back, kicks sleeping cozvboys to zvaken them.] 

WALT 

What's up? 

ROLY 

What's up? Hell's broke loose, that's what's up. Rip's shot. 
Git up thar, git up. [Roly picks up blanket and rushes out. The 
others get their boots on hurriedly and follozv him.] 

NEWT 

Oh Lordie, oh Lordie, wonder what's goin to happen to dat 
boy now. [Lights lantern and hangs it on chuck board.] 'Pears 
lak deys allers sumthin goin wrong wid him, an he ain't neber 
done nuthin but good either. [Peers into darkness.] Laws a 
massy ! Hyar dey comes totin him on a blanket. 

[The boys come in bearing Rip on a blanket. They lay him 
dozvn on roll of bedding, center.] 

IKE 

[Bending down and examining him.] He ain't dead yet, fel- 
lers — it went too low. Oh, Rip boy, don't you know yer old 
pard? Speak to me boy, speak to me. [Looking up.] He never 
had a chance, boys, he was shot in the back. Walt, how far 
did you say it was to that ranch? 

WALT 

Tween eight and ten miles, I reckon. 

IKE 

We got to get him thar as quick as we can. We can make it 
in two or three hours. God knows, though, if we'll get him thar 
alive. Walt, you saddle up, and make fer that ranch and tell 
em we're coniin, and see if there's any show fer a doctor. Don't 
let no grass grow under your feet neither. 

WALT 

[Hurriedly puts on spurs, picks up saddle, bridle and blanket.] 
I'll just tote my saddle over to the rialto an git a boss and go on 

[page 51] 



THE MAVERICK 

from thar. An ef thar's a doctor in thirty miles of here he'll 
be with Rip afore sunup. 

IKE 

Roly, you and Newt hitch up the mules and fix up a soft 
bed in the wagon. An somebody must git on the trail of this 
killer. 

SAM 

They's only one person it could have been. 

IKE 

And that is — 

SAM 

Faro Jim. 

IKE 

By God, he wouldn't dare. He wouldn't have no chance to 
git away. 

SAM 

He'd kill him an then take his chances on gittin away. 

[Scuffling is heard off stage. Monte comes in pushing Faro 
Jim in front of him. Faro Jim is bound tightly zvith a rope, 
which is wound round him, pinning his arms to his side. Monte 
begins unwinding rope. Faro Jim shows no fear, but is de- 
fiant.] 

IKE 

What does this mean, Monte. 

MONTE 

[Still unzvinding rope.] I see Rip start out alone to tak a de 
walk. I don lak fer dat so I'll getten up an foller fer heem. I 
walk a de leetle slow, fer I lose heem. I close a de rialto when I 
hear de shot. I run toward de shot an I see a man runnin to me 
on foot. I hide behind mesquite boosh an when he come by I 
catch heem in rope, queek — lak dis. He try to get hees gun, 
but I jerk heem down, an den I wrap de rope aroun heem lak 

*. [page 52] 



THE MAVERICK 

dees, [He is dozvn to noose.] Dis de way I catch heem, see? 

SAM 

The dam Injun. He follered Rip and shot him and war run- 
nin fer his hoss when Monte «=pys him. 

MONTE 

[To FARO JIM.] Today I'll say a you lak de rattlesnake. Wal, 
I He — the rattlesnake he always mak a de noise before he strike. 
[ MONTE takes rope off, faro jim makes dive for his gun.] 

FARO JIM 

You dam Greaser! 
IKE 

[Shoving gun against faro jim^s stomach.] Not so quick, 
Faro Jim — jest hold yer hosses. An meantime, say yer prayers, 
cause when we breaks camp here, right yonder on the spot whar 
Rip fell we'll leave your dirty carcas.^; fer the wolves and the 
coyotes. 



CURTAIN 



[page 53] 



THE MAVERICK 

ACT IV 

On the Baird ranch, three months later. Shozving the hack 
yard of a Western ranch house. Porch running entire 
hack of stage. Woman's saddle hanging on porch. Mexi- 
can oyah, or zvater cooler, hanging near door. Light wa- 
gon down left with harness hanging on front wheel. Pump 
and long, rude watering trough, right. Windmill instead 
of pump, if feasible. Chiquite discovered on porch churn- 
ing with old fashioned churn, 

JOE 

[Enters hurriedly with lariat coiled over his arm. Stops sud- 
denly zvhen he sees chiquite, and dehates with himself for a 
moment zvhether to stop or to finish the errand on zvhich he had 
started. With evident emharrassment.] Howdy — Chiquite. 

CHIQUITE 

[Churning and hardly noticing him.] Mornin Joe. 

JOE 

How air you this mornin ? [Bashfully.] Yer lookin fust rate. 

CHIQUITE 

My disposition ain't as good as my looks, then. 

JOE 

[As sudden impulse strikes him, throzvs his lariat into zvagon 
and goes hurriedly to porch.] Couldn't I give you a lift on that 
churnin ? 

CHIQUITE 

If you're a mind to, I don't care. 

JOE 

[Tenderly.] You know, Chiquite, I don't like to see you doin 
sich hard work. 

CHIQUITE 

You needn't worry. I hain't hurtin myself none. [Takes up 

[page 54] 



THE MAVERICK 

broom and starts to szvccp.] Doc Joiner was here today and he 
says Rip is well enough to ride now, so he is goin to leave today. 

JOE 

[Churning viciously.] I'm damn glad of it. 

CHIQUITE 

You are, are you ! You're jealous — that's what's the matter 
with you. 

JOE 

Who wouldn't be — you hardly ever have a word fer me any 
more — er a smile, either. Guess I'll have to go out and git shot, 
er sumthin, so as to git laid up and nussed. You women always 
like a sick man best. 

CHIQUITE 

[Hotly. '\ You're a yearlin, you are. Don't you know he's 
married ? 

JOE 

Yes, an I know them married devils is the ones you got to 
look out fer — they got the experience. 

CHIQUITE 

Well, you ain't no need to be jealous of him — I've got some- 
thin else to do besides smilin and smirkin around at you all the 
time. [With pride.] I'm learnin to cook now, an I baked a cake 
today. 

JOE 

I'm much obleeged to you fer tellin me. I ain't never been 
knowed as a coward, but they's some things I jest naturally ain't 
goin to tackle, an that cake's one of them. 

CHIQUITE 

[Tauntingly.] You'll never die with barvery, anyway. You 
won't even wear a necktie when I ask you to. 

JOE 

[Stops churning and looks at her steadily.] See here, that's 

[page 55] 



THE MAVERICK 

too much. You're gettin too high falutin here lately anyhow. 
You want to make a regular dude out o' me. I'll fight any man 
on this here ranch fer you, Chiquite, but I'm damned if I'm goin 
to hav the fellers give me the horse laugh about wearin little 
ribbons around my neck, and combin my hair, an shavin every 
week; first thing I know you'll be wantin me to black my boots 
every mornin before I go out fer the day's work. 

HATTIE 

[Enters from left, ivearing riding costume. '\ What in the 
world are you doing out here, Chiquite? You know you have 
a lot of work to do before cousin Rose comes. 

CHIQUITE 

I was just doin the churnin when Joe come by. 

HATTIE 

[Pulls off gloves and looks in churn.] Well, the butter's come 
now so you can take it in the house and finish. 

JOE 

[Looking at chiquite.] That's the way — lay it all on me. 
I guess you wasn't willin I should stop. 

CHIQUITE 

If I was very anxious, I could see a lot more of you than I do. 
[Picks up churn and goes into the house.] 

JOE 

That's a hot shot — an there was some truth in it too. 

HATTIE 

[Jokingly.] Don't take it too hard, Joe. You'll find out some 
day that women don't mean everything they say; and then, you 
know the course of true love never runs smooth. 

JOE 

I reckon the course I'm follerin is purty rocky, all right. Say, 
Miss Hattie, [much embarrassed] couldn't you say a good word 
fer me now an then? 

' [page 56] 



THE MAVERICK 

HATTIE 

Why yes, Joe, I'll do all I can for you, but in my opinion its 
a mighty poor puncher that has to hire some one to break their 
bronc for them. 

JOE 

I know it, but it seems like I can't never git clost enough to 
git the bridle on, 

BAIRD 

[Enters from right.] What you bunch of two-year-olds doin 
out here. Spoonin, eh? [Goes on porch and takes drink out of 
ayah.] I never thought much of daylight fer sparkin — give me 
the moonlight. 

HATTIE 

Father! [joe is much embarrassed.] 

BAIRD 

[Wiping his month.'] Look at Joe now — look at that face, 
red as a pickled beet. 

HATTIE 

Joe will you unsaddle my horse and turn him into the pasture ? 
I won't need him any more today. 

BAIRD 

Will he! of course he will, an tickled to death. [Laughs 
heartily, joe is evidently glad to get azvay and leaves hurriedly.] 

HATTIE 

What made you say that, father? You didn't really mean it, 
did you? 

BAIRD 

[Much amused.] Of course not, little girl, of course not. I 
just like to devil that cuss because he's so all-fired bashful. 

HATTIE 

When you came he was just asking me to help him out with 
Chiquite. 

[page 57] 



THE MAVERICK 

BAIRD 

Oh-ho ! Them two kids. Well he'll have to ride a fast 
horse to corral her, and he'll have to have a good stout lasso 
to hold her when he does get her. Well, little gal, is everything 
ready an waitin fer your cousin's visit? 

HATTIE 

Yes, everything is ready. I know she'll think its lonely out 
here, after coming from the city. 

BAIRD 

[With concern.] You didn't feel that way when you come 
back from school, did you? 

HATTIE 

You know how glad I was to get back, dear old dad. But its 
different with me — I loved the West long before I ever saw a 
drawing room. The sweet flowers of the valleys, the early morning 
rides, the wild free air, the hand clasp of friends that you know 
are true — isn't that better than the dirty crowded streets, where 
you smother for a breath of fresh air? Why dad, I'd rather be 
your little wild western girl than any petted queen of society. 

BAIRD 

[Visibly affected.] Ah, you're your daddy's own gal. I 
knowed you was one that even college education couldn't spoil. 
But I'm afraid your cousin's a different kind, an that she's goin 
to be hard to please. Her father says she ain't never been the 
same since she fell in love with that puncher the time they was 
down in Texas. 

HATTIE 

If she's interested in cow boys she ought to be amused here. 
We can show her almost any kind. 

RIP 

[Comes on from right, carrying a roll of bedding zvhich he 
throzvs down on porch. Takes off hat.] Good ev'nin, Miss 
Hattie. Howdy, Mr. Baird. 

[page 58] 



THE MAVERICK 

BAIRD 

Hello, Rip, how are you feelin? 

HATTIE 

Good evening. Rip. 

RIP 

I'm feelin strong today — like myself again. Doc says I'm well 
enough to ride now, so I guess I'll leave today. 

BAIRD 

Today! What you startin this time of day for. It'll be dark 
in a couple of hours. Better wait till mornin an get an early 
start. 

RIP 

Doc says I'm not strong enough to ride in the hot sun, so I'm 
travellin a few hours in the early night until I gain a little 
strength. 

BAIRD 

Rip, I'm sorry you can't stay with us, but [jokingly] I sup- 
pose you're gettin anxious to see that young un you got the news 
about. The letter said somethin bout his lookin just like his 
daddy. Wasn't that it? [Laughs boisterously.] 

RIP 

Of course I'm anxious to get home — then I've been a burden 
to you and Miss Hattie long enough. Mr. Baird, I don't know 
how I can ever repay you an Miss Hattie for what you've done 
fer me. I've been here pretty near three months, now, and I'd 
like to know how much I owe you. 

BAIRD 

Why, young feller, you don't owe me nothin. I ain't runnin 
no hospital here. I'm runnin a cow ranch. But if anybody gets 
hurt, or sick, why then they gets the best on this here ranch, 
an no questions asked. An you ain't been no burden either — 
we don't want you to go away feelin like that. [Starts to go in 

[page 59] 



THE MAVERICK 

house, gets on porch and ttirns.] Well, I reckon I'll see you 
again before you go — that is, if you don't get too all-fired anx- 
ious to see that kid. 

[rip bows to him and laughs.] 

HATTIE 

We're glad to have been able to help you Rip, I only wish 
we could have done more for your comfort. 

RIP 

You couldn't have done more. Your nursin an care saved my 
life. I reckon I come pretty near passin over, anyway. 

HATTIE 

Yes, you've had a close call. But oh, how glad I am to be 
sending you back to your wife and little baby. She'll hardly 
know you, looking so pale and thin. 

RIP 

I'll be lookin better when I get home. I got a good long ride 
ahead of me. That ought to bring some of the color back. 

CHIQUITE 

[Looks out from door.] Miss Hattie, will you come an help 
me with those biscuits ? I'm afraid I'll spoil 'em. 

HATTIE 

I guess Chiquite will never learn. She'd make a better cow 
boy than a cook. [Goes up toward porch.] I'll have to go and 
show her. When are you going. Rip ? 

RIP 

I'm most ready now. It may be an hour before I get away, 
tho. 

HATTIE 

If the buckboard gets here before you go, you'll get to see my 
cousin. I wish you wasn't going so soon, and you would have an 
opportunity of knowing her. [Banteringly.] You never saw a 

^ [page 60] 



. ■ -■ K 

real live city girl, did you? She's one. Beautiful, educated, 
and stuck up. But I've heard she's not afraid of cow boys, 

RIP 

I'd be glad to know her, but I must get away as soon as pos- 
sible. [Exit HATTiE. RIP noiv ties up bundle of clothing in 
tarpaulin.] An I'm goin back at last. Its a new feelin to me, 
but somehow or other I'm glad. Yes, I'll be glad to see Mamie 
again — and the little boy. I reckon its that that makes the 
change in me — seems like there's somethin sorter holds me and 
Mame together together now. [Strolls out slozvly stops at pump.] 
Wonder if it does look like me. [Exit right.] 

CHIQUITE 

[Comes to door.] It's about time that buckboard was comin! 
[Walks out and looks down the road.] There it comes now, 
just on top of the hill. [Rims back to porch.] Miss Hattie, Miss 
Hattie. 

HATTIE 

[From house.] Yes. 

CHIQUITE 

[Excitedly.] They're coming! 

HATTIE 

[Appears in door zvith father.] They're on time, for a won- 
der. Come father. [Together they go out to meet the stage, 
which is heard to come up noisily and driver calls out "Whoa." 
They reappear, with baird zvith his arm over rose's shoulder ; 
HATTIE carrying traveling hag.] 

BAIRD 

We're plum glad to see you again, Rosie gal. You've almost 
growed out of my recollection. You warn't no thin but a spindlin 
little shaver in short dresses in them days. 

ROSE 

Oh, if I only enjoy it as much as I did then. Uncle Baird, and 
I know I will. 

[page 61] 



THE MAVERICK 

HATTIE 

Why, Rose, I've been worrying for a week for fear you'd 
find it lonesome and tiresome out here. 

ROSE 

Of course I won't be lonesome. We'll have the best of good 
times. You haven't changed a bit, little cousin. And Uncle 
Baird is just as jolly and fat as ever. 

BAIRD 

I can't say you're lookin very well — too peeked like — kinder 
like our sick man. But you'll soon get some color in them 
cheeks and you won't have to put it on with a brush either. 

HATTIE 

Come on Rose, don't listen to him — he's always teasing. 

[They go into the house, joe and the driver appear carrying 
trunk, zvhich is covered zvith dust, as is also the driver. They 
carry the trunk into the house, sandy reappears front the 
house, brushing the dust off himself with his gloves, joe folloivs 
him.] 

JOE 

She's a stunner ain't she — kind of a sky-scraper and moon- 
fixer and cloud-roller, by gum. 

SANDY 

[Pugnaciously.] Now you jest leave her alone, savvy? I saw 
her first. You got Chiquite corraled now, so she won't look at 
any of the rest of us, and I'm damned if I'm goin ter stand by 
an see you grab on ter everything that strays this way. 

JOE 

Don't loose yer disposition, now, Sandy, old horse. When it 
comes to gals they ain't none of 'em in it with Chiquite. This 
new one might be a whole lot fer pretty, I ain't denyin that, but 
she wasn't made fer life out here on the plains. Now just fer 
argument, supposin you was to take a bunch of fancy horses, 

[page 62] 



THE MAVERICK 

we'll say like the bay mare Cap got from Kansas City last week, 
and put 'em out on the roundup just onct, what do you suppose 
would happen to 'em? Why they'd look like a bunch of skinned 
jack rabbits — what was left of 'em. 

SANDY 

You allers was better'n me fer argument. I don know nothin 
about women, anyhow. I know she looks scrumptious to me, 
whether she suits anybody else or not. 

JOE 

You must have been grazin on a patch of loco. She ain't goin 
have nothin to do with you, 

SANDY 

The hell she ain't ! I'll show you. You think cause my legs 
is warped, an my hair is sandy, an I'm crosseyed and got freckles, 
that she wouldn't take up with me, huh? I ain't much fer 
purty — I know that, but show me the man that can ride better'n 
me, or rope better, or shoot straighter ! Tote 'em out, will you ? 

JOE 

Course looks don't count fer everything, but a feller's got to 
have a little somethin in his favor. 

SANDY 

Well, you jest watch my smoke. But this ain't brandin them 
calves. We can talk about the gals when we ain't got nothin else 
to do. [Both exit, right.] 

ROSE 

[Comes on porch front house.] Oh, how good it seems to 
breathe again the free air of the plains ; to be where one can see 
the sun rise and set ; to leave behind everything tawdry and arti- 
ficial and to be simply one's self. How it takes me back to the 
old days, and to him! I wonder if he ever gives a thought to 
his poor unhappy Rose. Oh. Rip, Rip — everything to remind me 
of him. Even that cowboy leaving the corral rides just as he 
did, the same way of holding the reins, like a cavalryman, and 

[page 63] 



THE MAVERICK 

not like a cowboy, [rip is heard singing, "Bury me not etc." 
Rides up to pump, dismounts, and throws bridle over pump. 
Then for the first time he notices rose, zvho zvith a startled ex- 
pression in her face, walks toward him. They pause and look 
at each other a moment, then a sivift, mutual recognition fol- 
lozvs.] It is Rip. 

RIP 

Rose, my Rose. [They run into each others arms.] 

ROSE 

[Looking up into his face, his arms around her.] Oh, Rip, 
they couldn't keep me away from you always, could they? 
It seemed all along as tho I was coming to you, Rip. The sepa- 
ration has been so long, and oh, so hard to bear, but the great 
joy of seeing you again is worth all the tears and the heartaches. 

RIP 

[Slowly.] Somehow, Rose I've always had a feelin that the 
trails we were travelin would cross^that some day I was goin 
to see you again. But in all my dreams I never saw it like this — 
I never reckoned you could care anything fer me. 

ROSE 

I could never tell you how I have loved you, how I have longed 
for you, and what this separation has meant to me. I haven't 
known a real happy day for five years. But now we can laugh 
at all that, for you are mine, all mine, and you shall never leave 
me again. 

RIP 

I didn't suppose you would ever think of me again, after 
what your father told you about me. 

ROSE 

After he saw how I lovel you, and that I wouldn't forget, he 
told me the truth — that you allowed him to say those things 
about you because you thought it meant my happiness. 

[page 64] 



THE MAVERICK 

RIP 

And you would have taken me in spite of all he said? 

ROSE 

[Very earnestly.] I would have given up everything else in 
the world for you, if I had only known you really loved me. 
Father knew it too — everybody knew it but you, you who should 
have seen it first of all. 

RIP 

I learned a long time ago not to throw the rope until I was 
sartin sure I was in ropin distance, an I was afraid of try in to 
rope you too soon. Pears like, however, I didn't measure the 
distance right. 

ROSE 

And they used to say you had the surest eye of anybody on 
the ranch. 

CHIQUITE 

[From house.] Miss Rose. [They step apart as chiquite 
sticks her head out of windozv.] Miss Hattie says to come and 
get ready for supper. It will be ready soon. 

ROSE 

Coming now. [chiquite disappears.] Well, I must leave you 
for a while. Rip. I can't bear to let you out of my sight again, 
but I'll see you at supper. And, Rip, [cov/v] this is going to 
be a lovely night for a moonlight ride. 

RIP 

Yes, a lovely night. [Rose walks over to porch, and as she 
reaches the door, she turns at his call.] Rose, don't say anything 
to them about me, just yet. Wait a little while. 

ROSE 
• All right, Mr. Bashful. 

RIP 

[Stands a moment looking after her, zvalks dozun to zvagon, 

[page 65] 



THE MAVERICK 

lays both arms on it and buries his head in them. Then he 
seems to realize for the first time zvhat he has done.] God, 
what am I thinking of. Am I gone plum loco? {Passes hands 
over his forehead.] And yet, would a traveler on the plains in 
a blizzard, refuse the shelter of a warm ranchhouse after he 
had spent long fearful days lookin fer it? No more will I throw 
away her love when I've been starvin fer it fer years. Oh, I 
reckon I'm the biggest coward that ever rode a horse or carried 
a gun. The more she talked, the further I got away from tellin 
her. How she'll despise me when she finds me out — and her so 
good and pure. How I hate myself. But when I saw her, I 
seemed to ferget — to ferget that she can't never be anything to 
me now — to ferget how things have changed since I saw her 
last. And she loves me! When I think of that I'm afraid of 
myself — afraid that love will win. Oh, I won't give her up ; I'll 
take her away this very night, away where nobody knows us, 
and then my dreams will come true. With her help and love to 
spur me on, I can climb higher up the ladder than I ever dream- 
ed of going. And there's my horse already saddled ; a few minutes 
longer and I would have been gone — I'd never have seen her. 
God, what's got into me today. What a selfish, sneakin, theivin 
coyote I am — thinkin of nobody but myself. She wouldn't look 
at me nohow if she knew I had let her go on tellin me of her 
love and I told her of mine when I hadn't the right to. I can't 
see her again, cause if I do I'll go plum loony. I reckon the 
best and quickest way to get out of it, is to go now. [picks up 
bundle, starts toward horse, then turns back and throzvs it down 
on steps.] No, I'm damned if I do. I ain't never been afraid 
of my self before and I ain't goin sneakin away like no Injun. 
I'll play this game, and I'll play it to win ! 

CHIQUITE 

[Coming out on porch.] Why, Mr. Rip, you ain't goin till 
after supper, are you? 

RIP 

I don't feel like eatin tonight. Would you tell Rose — I — I 

[page 66] 



THE ^I A V E R I C K 

mean Miss Hattie's cousin — I'd like to speak to her a few 
minutes. 

CHIQUITE 

You don't know her already, do you? 

RIP 

[Picking up lariat.] Not exactly, only I was showin her 
how to tie some knots out here a while ago, an I thought maybe 
I'd better show her how to undo 'em before I go. 

CHIQUITE 

Why I could show her that, myself. I can untie any knot I 
ever saw. 

RIP 

[Roughly.] Well, this ain't in your line. 

CTIIQUITE 

You needn't get mad about it. Seems like you're in an awful 
hurry. She's likely to stay here some time, you know. 

RIP 

I'm not tho. 

CHIQUITE 

I hadn't thought of that. I'll tell her anyway. Adios. [Exit.] 

RIP 

I'd rather fight a bunch of Indians on the war path than to 
tell her what I've got to. But she might just as well know what 
a cur I am — then she won't be sorry when I'm gone. 

ROSE 

[Comes from house.] Did you send for me, Rip? 

RIP 

[With effort.] Yes, there's something I want to tell you be- 
fore I go away. 

ROSE 

[Startled.] Going away! You don't mean that, Rip. 

[page 67] 



THE MAVERICK 

RIP 

I want to tell you that I am a low down, sneakin — 

ROSE 

Why, Rip, don't you love me? 

RIP 

Don't I love you — don't I love you ? Why I've loved you with 
all the power of my wild nature since I first saw you. For five 
years as I've ridden my weary watch at night, the prairie winds 
have whispered to me your name ; as I've laid out upon the plains 
with my saddle for a pillow, through the lonliness and desolation 
I've heard your voice calling to me, and through the darkness 
your laughing eyes smiled upon me. No matter where I've gone, 
no matter how rough the trail I've traveled, the memory of 
those happy days was with me always. But now that the cup of 
happiness for which I longed and prayed is almost to my lips, I 
cannot drink. 

ROSE 

[Frightened.] You cannot! How strangely you talk — as 
though there was some great, impassable gulf between us. I love 
you Rip, what else do you ask? 

RIP 

Sit down, and I'll tell you it all. Nothin ever went right 
with me — I never had any real happiness to speak of, and I 
reckon I never will have. My trail allers led into the canyons, 
where the sun never reaches ; but once for a little time I rode 
out into the valley whar the flowers was bloomin and the 
birds singin sweetest music. That was the three months I knew 
you, Rose. But the sun went down and never rose again ; the 
flowers withered and died, the birds quit singin and I found my- 
self back in a canyon with the walls as high as the sky and that 
run on forever an ever. After I left San Antone I went up into 
New Mexico till I camped at a settlement they callls Rio Seco. 
I hadn't been there more than a week till a horse falls on me 
and mighty nigh kills me. An old man that had moved out West 

[page 68] 



T II K M A V K R I C K 

on account of his lungs, and his daughter come along and found 
me ; they took me to their house and cared for me hke I belonged 
to them. They were true friends, and the old man taught me 
lots of things that seemed to draw us together ; and the little gal, 
she war just like a sister to me. Three years after that the old man 
died, and he made a dyin request that I should marry his daugh- 
ter. I, thinkin I'd never see you again, I married her. I hope 
you'll think as good as you can of me for not tellin you awhile 
ago, but for a moment I forgot it all — I saw only you, my Rose, 
and my love for you blotted out everything else in the world. 

ROSE 

Rip, I love you because you are a big, strong man. When I went 
down there five years ago, I was tired of the shallowness of the 
world in which I lived, of the vain flatteries of the men who knew 
nothing but fine words of deceit. And you were all that they 
were not — you were strong and brave, and you were just what 
you were, nothing more, and so I gave you my heart. 

RIP 

Don't talk that way. Rose. Tell me I'm a rattlesnake, a thief — 
anything but that. It only makes it harder for me to go. 

ROSE 

Going! You are not going. Rip. If you do, I'm going with 
you. Do you think I intend to give up my life's happiness like 
this. Have I loved you through all these years, longed for you, 
lived for you alone, to give you up now because I find that in an 
impulsive moment of gratitude you have bound yourself to a wo- 
man you do not love. You love me. Rip, you must love me, or I 
shall die. 

RIP 

[Surprised and hurt.] I love you yes, but we can't do v/hat 
you say — it ain't the square thing. 

ROSE 

[Pleadingly.] Does right always prevail when a great happi- 
ness is concerned? Do we quibble over a little ques- 

[PAGE 69] 



THE MAVERICK 

tion of right when a great overwhelming love like ours is in the 
balance ? 

RIP 

[Trying to convince her of the right zvay.] What a sneakin 
coyote I'd be. I wouldn't be thinkin of anybody but myself. 
What of those friends that believe in me — of Old Ike, who'd 
stake his life on me. And what of poor little Mamie, who be- 
lieves above all else that I'm a man — and what of the little boy 
that will grow up without a father's care. And you couldn't 
really like me Rose if I showed myself to be that selfiish. 

ROSE 

[Earnestly.] Don't think of them now — think of me, of my 
enduring love for you, of what I have suffered all these years. 
You were mine before you were theirs — you must be mine now. 
Rip. I am rich, we can go far away, where no one will know 
us and live forever in the joy of each other's love. 

RIP 

[Sternly.] You're excited, gal. You don't know what you are 
saying. Why if I was to do this thing, I'd have to kill what little 
good there is in me — I'd never be able to look an honest man 
in the face again. I'd have to throw away my manhood for my 
own selfish aims and desires, and I can't do it, I can't do it. 
Think of the disgrace it would bring to that little woman down 
there, and to the fatherless boy. 

ROSE 

[passio7iately.] 1 am thinking of everything, but I care for 
nothing — nothing only to know that you love me and have you 
for my very own. 

RIP 

Think what your friends would say — what the world would 
think of you. I tell you, gal, you ain't yourself. 

ROSE 

What is the opinion of the world to me in comparison to 

K [page 70] 



THE MAVERICK 

your love? [Pleadingly.] Oh, take me Rip, I am yours, body 
and soul. 

RIP 

{Clasping her hands roughly.] Don't talk like that. Rose, 
for if you do really mean that,, you are not the woman I love — 
the idol I have worshipped through all these years is shattered at 
my feet. 

ROSE 

[Crying.] Surely the greatness of my love does not make you 
angry with me? 

RIP 

[Slozi'ly.] Not angry, no. I only see that for five years I 
have been chasing a mirage like a madman, when a spring of 
livin water was right at my feet. I have carried the memory 
of a pretty smilin face in my heart, forgetting that there 
must also be a heart that is pure and good. We air 
rough and uncultured out yonder. We don't know much about 
style and we care less, but we prize our honor above everything, 
and for the honor of our women we would lay down our lives. 

ROSE 

[Wildly.] You shall not leave me this way. Rip. I will invent 
some lie to tell them that will keep you. I wall tell them that I 
knew you in Texas for a horse thief or a murderer. I will tell 
them the truth — anything only to keep you for a while, until this 
fever of morality and heroics that is upon you has passed away. 

RIP 

Call them, if you will, but w^hen you do, call them all, for now 
that there's a new light come into my life, [zvalks over and throws 
bridle over his horses head] they ain't enough men on this here 
ranch to keep me away from them that loves me — and them that I 
love. 

[rip is preparing to mount, looking at rose, zvhile she is stand- 

[PAGE 71] 



THE MAVERICK 

ing right, center, ivith arms outstretched tozvard hifH as 

THE CURTAIN FALLS 



Curtain raises again and rose is leaning on ivagon sobbing, 
while RIP mounts and rides aivav. 



SECOND CURTAIN 



[page 72] 



THE MAVERICK 

ACT IV 

Room in rip's house, Rio Scco. The room is furnished in good 
tasic, hut the furniture is of a crude Western sort, consist- 
ing of a table in front of jvcplace, large arm chair betiveen 
it and fireplace, tzvo straight hacked chairs, and a bahy's 
cradle. Door in right, flat, and door left, upper. In 
the flat, left, is a wide deep windoiv, with heavy 
curtains hanging even zvith zvall. The fireplace is large and 
made of stone, and is located dozvn right. As the curtain 
rises mamie is discovered sitting in the rocker near the fire- 
place reading; maria seated in chair beside cradle rock- 
ing it gently, crooning softly to baby. 

MAMIE 

Is he asleep, Maria? 

MARIA 

Si, senora. [Rises and looks at baby intently.] Pore leetel 
baby. 

MAMIE 

Why poor little baby, Maria? 

MARIA 

Hees papa no come fer heem. 

MAMIE 

Your people think you have the power of second sight, Maria, 
but whatever you say, and no matter how much you shake your 
head, I know that Rip will come back soon, 
MARIA 

How you know? 

MAMIE 

How do I know it? Why, as I know the sun will set tonight, 
Maria. I feel it. Didn't you ever just feel that hings were going 
to happen ? And then when Long John from the Circle Diamonds 
passed by the place in Kansas where they are taking care of Rip 
they told him Rip would get well again. And I know that he will 

[page 73] 



THE MAVERICK 

come soon, Maria, for I dreamed last night that I saw him 
open the door, and enter, and hang up his gun on the peg yon- 
der and then his hat over it — just as he always did. And you 
know you yourself believe in dreams, Maria. 

MARIA 

Ah hopa dat dream come true, but Ah don know, Ah don 
know. 

MAMIE 

The stage came in late last night, Maria, and we haven't asked 
for the mail yet. Won't you go over and see, for I know we 
shall hear from him today. 

MARIA 

Si, senora. Ah go see. [Gets shaivl and throws it over her 
head.] Always looken fer de letter dat never comes. Pobrecito. 
[Exit door flat.] 

MAMIE 

Oh, if I could only hear from him. No news since the Circle 
Diamonds came home, and that's been two months now. I only 
live from one week to another waiting for the stage, and it al- 
ways brings me disappoitnment. Getting mail out here is only a 
game of chance after all. Maybe he got worse after the Circle 
Diamonds left. Oh, my poor boy, so near to death, and so far 
away from friends and home, and me not able to go to him. If 
I could only have been there to nurse him and care for him, he 
would have been well long ago — I know he would. [Loud 
scuffling of feet outside and knock at door, mamie opens it.] 
Why, boys, come in. [ike, sam, walt, roly and monte enter.] 
Its been a long, long time since you came to see me. {Shakes 
hands with each of them.] I'm always glad to see Rip's friends. 

WALT 

Your friends, too. Miss Mamie. 

MAMIE 

Yes, I know that, boys. But this time I think you came to see 

[page 74] 



THE MAVERICK 

someone else beside me. You came to see the baby, didn't you? 

IKE 

The boys 'lowed as how they never seen a white kid afore so I 
fetched 'em over. [Points to cradle.] Thar it is, an its the first 
white kid born in Lincoln county, [mamie pushes back covers 
and they crozud around and look at it.\ 

ROLY 

[Gallantly.] I hope it won't be the last, ma'am, [mamie 
looks confused and ike gives roly a punch in the ribs. He sees 
he has said something out of place, and makes it zvorse by trying 
to right himself.] Er — that is I hope we all have one some day — 
that is — whole herds of'em. 

SAM 

[Aside to roly.] Shet up. [roly gets behind others, trying 
to hide himself.] 

WALT 

[Aside to mamie.] Has it been branded yet? 

MAMIE 

No, we're waiting for Rip to do that. 

SAM 

[To WALT, zvho has drifted dozvn stage zvith him.] Pore little 
cuss, looks like he might be a Maverick all his life if he waits fer 
Rip ter brand him. [mamie, ike and sam talk among themselves 
about the baby, zvhile montie, roly and walt come dozvn right 
and discuss the situation aside.] 

WALT 

Kids may be all right, but they shore ain't the handsomest 
pieces of furniture in the world. 

ROLY 

Does look purty onery to have such a good lookin ma. 

WALT 

I never seed anybody with a compextion like that, less they 

[page 75] 



THE MAVERICK 

was hittin the booze purty strong. 

ROLY 

[Confidentially.] I'll bet a boss ole Maria feeds it whiskey. 

MONTE 

Huh ! I'll guessen de leetle buby smell for Maria's breath. 

WALT 

An they ain't no more hair on its head than they is on the 
horn of my saddle. 

SAM 

What's the matter with you fellers, scairt? 

ROLY 

Shore not, I'm powerful fond of kids myself. Course I ain't 
never had a chance to get acquainted with 'em much — 'ceptin 
Mexican kids. 

WALT 

[Gives a vicious poke at baby.] Laugh, you little son-of-a- 
gun, laugh, [mamie steps tozvard cradle zvith an exclamation of 
fright, and ike grabs walt by the arm and turns him around 
roughly. [ 

IKE 

You big cow, you ain't brandin calves. 

WALT 

I warn't really goin to touch it. 

MONTE 

You mak a fer de vera fine bluff. 

SAM 

Take it up and hold it in your arms, Roly. 

ROLY 

[Grins.] Me? Shaw, I might bust it. Let Monte. 

[page 76] 



THE MAVERICK 

MONTE 

Cristo ! Mebbe I drop heem ! No signor, not for dis Mexi- 
can, tank you plees. 

WALT 

[Showing signs of nervousness.] Well, we don't seem to be 
hardly no use around here — reckon we'd better be driftin. 

MONTE 

[Quickly.] Lets getta for de beeg drink. 

SAM 

You'll never take a little one, that's sure. [All get ready to 
leave.] 

MAMIE 

Come back again, boys. 

WALT 

You bet we will, Ma'am, if you'll ax us. 

ROLY 

An say, we done decided what we're goin to give him fer 
Christmas. 

MAMIE 

Christmas, why that's a long time yet. 

ROLY 

Well, there's nothin like bein prepared. We got a white burro 
fer him and we sent to Vegas to have a little saddle made. 

MAMIE 

How nice of you — I know he'll think it's fine. 

[roly, WALT, SAM and MONTE e.vit. MAMIE and IKE look at each 
other a moment, then burst out laughing.] 

IKE 

Their hearts are in the right place, only they jest naturally 
ain't got no sense ceptin about ridin a horse, or punchin cows. 

[page 77] 



THE MAVERICK 

[Bursts out laughing again.] Gettin a burro an a saddle fer a 
kid like that. 

MAMIE 

Ike, I'm so glad you came Over and brought them. I've been 
worrying today and I needed something to cheer me up. 

IKE 

Why, bless you, v/hat's worryin you? About Rip? [mamie 
nods her head in assent..] Well get on your things now, fer I'm 
goin to take you out fer a walk. 

[Enter maria door in flat.] 

MAMIE 

[Pnts on hat and light shazvl.] Any mail, Maria? 

MARIA 

No, signora. 

MAMIE 

[To IKE.] Why do you suppose he does not write, Ike? Do 
you think he got worse after the Circle Diamonds were there. 

IKE 

[Jokingly.] Well, a sight of that bunch ain't calculated to help 
a man much. But then I wouldn't put too much store on this 
letter business. I don't think you'll ever get a letter from Rip, 
but just as soon as he's able to crawl onto a horse, he'll be ridin 
this way, an don't you fergit it. 

MAMIE 

Ike, you are the one friend who can always dispel the clouds, 
no matter how black they are. I feel more cheerful already. I 
believe I'll just be expecting him any minute. 

IKE 

That's right, little gal. You keep your faith steady in Rip, an 
I'll give you my word on it, he won't disappoint you. 

[mamie and ike exit door in flat, maria looks at baby, fixes 

"■ [page 78] 



THE Maverick 

coverings takes bottle of zvhiskey out of pocket of dress and takes 
long drink, then exits, left upper.] 

RIP 

[Enters from door in flat, zvalks slozvly, takes off his gun and 
hangs it up on peg, his hat over it. Walks dozmt by fireplace.] 
Home again ! It seems like an age since I last hmig my gun and 
hat up there — all the world has changed for me since then. I don't 
feel like a Maverick, now ; I ain't a stranger in my own home no 
more; I ain't bound to stay here by no promises, but just be- 
cause I love little Mamie and my home. I don't deserve her, 
but I'm goin to try an make myself worthy of her. Its like Ike 
says, the thing to make a man happy is just bein square. [Walks 
to zvindozv, raises shade and on his zvay back discovers haby.] 
Thar it is! [Goes to zvindozv and pulls back curtains to get bet- 
ter light, then turns back cover gently and looks at baby for a 
moment. Straightens up.] Mame warn't payin me such a hell 
of a compliment when she said it looked like me. Don't look 
like nothin I ever seen before. [Looks at it again.] It sorter 
makes me have a funny feelin, tho. Won't it be great when he 
gets big enough to ride around with his dad? I'd like to take 
him up in my arms, but I reckon I don't know much about this 
business. Oh, how different life's goin to be for me now. My 
happiness has come at last, and I don't deserve it, either. 

MONTE 

[Pushes open door quickly, looks around the room and comes in 

stealthily.] Mr. Rip, ma good fren Rip. 

RIP 

Well, old Mont, you look just the same as ever. How'd you 
know I was here? I tried to slip in so nobody would see me. 

MONTE 

I see you tie your horse in de corral, an I come here queek. Rip 
I'll gotta de dam bad news for you. 

RIP 

[Excited.] Not Mamie! She's not sick? Whar is she? 

[page 79] 



THE MAVERICK 

MONTE 

Yes, about a de Mamie, but she's not seek. 

RIP 

Then out with it, Monte, out with it. 

MONTE 

Well, Ike he love for de long time de little Mamie. I guess 
him an Mamie tink you don come home no more, so dey all de 
time together now. Ike hees takin her ridin every day — dey gone 
for de walk now. 

RIP 

And is that the only reason that you dare to question my wife? 
Just because he takes her out? Ike is my friend, and her friend. 
He's only taking care of her and comforting her in my absence. 

MONTE 

I wish by damn me dat was de only reason I tink so. 

RIP 

[Choking with emotion.] Well — what else? 

MONTE 

Two times when he bring her back from de ride, Maria see 
heem kiss her. 

RIP 

[Half to himself .] My God, is it so ? [Turns on Monte fierce- 
ly.] Monte, damn you, you lie. [Grasps monte's shoulders 
zvith both hands and shakes him.] She is my wife, do you under- 
stand — my wife, and Ike is my best friend — the best friend I 
ever had. [Laughing hysterically.] It isn't so, do you hear me, 
it isn't so — it can't be true. 

MONTE 

Well, I tell you because I tink you want to know — and because 
you are my fren. 

[page 80] 



THE MAVERICK 

RIP 

See here, Monte, I am your friend. And I've done you a good 
turn, once or twice, and I want you to keep your mouth shut 
about this. Have you told any one else? 

MONTE 

Nobody know but me an Maria, an I tell her eef she talk I'll 
fix her. 

RIP 

Then don't you ever mention it to a living soul, do you under- 
stand? If you do [puts his hand on gun] savvy? [monte nods 
in the affirmative.] Then go, [monte goes to door and turns 
pleadingly to rip who relents, zvalks over to monte, grasps his 
hand and puts left hand on his shoulder. They look into each 
others eyes steadily then monte turns and leaves, rip turns 
sloivly as tho dazed by zvhat has happened, and comes down 
front.] A Maverick still — always a Maverick. I can't blame her, 
tho, I've never been square with her. And I reckon he must 
have told her about Rose. But it had to be Ike, my friend. 
[Vehemently.] By God, I'll kill him. [Stops thoughtfully.] 
But why should I? I told him I didn't love her and never could 
— that I loved another woman. Well, I followed the mirage too 
long, and now I've come back to the real spring to slake my thirst, 
and find that it has run dry. There is no happiness for me in 
life, but I won't spoil their happiness. [Puts on hat and buckles 
gun around his waist.] He's a better man than I am anyhow, 
and he deserves her. I never did. [Walks doivn to cradle and 
bends over baby tenderly.] Good bye, little feller, you can't never 
grow up to be your daddy's pal, but maybe you'll have a better 
pal. And I hope they call you Rip. Pore little Maverick. 
[Noise heard outside. Steps up to windozv and looks out.] 
Mamie and Ike ! They mustn't see me — they mustn't know I've 
ever been here. [Steps behind curtains and draivs them together 
as MAMIE and ike enter.] 

IKE 

[Both hands on mamie^s shoulders, and looking into her eyes.] 

[page 811 



THE MAVERICK 

Now, little gal, I've got a great big secret to tell you. 

MAMIE 
A secret? 

IKE 

Yes, a secret — just for you an me. Things are all settled on the 
ranch now, and I'm goin to bring Rip back. 

MAMIE 

[Delighted.] You're going to him? 

IKE 

Goin? Why of course I am. I'd never left him in the first 
place, but I just naturally had to see the herd through. I lowed 
to go straight back to him just as soon as I got them cattle in 
the cars. When I gets thar a telegram was waitin fer me sayin 
as how the boss had been cut up by a drunken puncher, an things 
Vi^as plum goin to smash on the ranch, so I had to hustle back 
here to tend to things. Seems like the cards war sure stacked 
agin Rip — that his two best friends, you an me, couldn't be with 
him in his sickness. But I knowed he war in good hands, cause 
they ain't a better man on the plains than old Cap Baird. But 
they ain't been hardly a minute I ain't thought of him. But now 
the boss is all right again, the ranch is runnin smooth, an if I 
had to, I'd fight my way through a prairie full of Injuns to get 
to that boy. 

MAMIE 

Ike, I believe you love him almost as much as I do. You must 
bring him back to me, and well and strong. For if anything 
should happen to him, I would not want to live. I mustn't talk 
that way, its weak and foolish of me, and selfish too ; I would 
have to live for the little one, Ike, for his boy. I would live to 
teach him to be a man like his father, and to teach him to be 
strong and brave and tender like him. 

IKE 

Don't you worry, little gal, for I will bring him back. I'm 

[page 82] 



THE MAVERICK 

goin now, but I'll see you in the mornin before I start for Rip. 
I reckon you'll want to fix up somethin to send along. [Takes 
hat and starts to leave; maria enters from left upper.] 

MAMIE 

Before you go, Ike, I want to ask you something. You know 
when you came back you told me that Rip had been hurt in a 
stampede. Maria says that he was shot and that Faro Jim did it. 

IKE 

Damn Maria. 

MAMIE 
What? 

IKE 

I beg your pardon. I guess I might as well tell you the truth 
now. Faro Jim did shoot him one night, in the back, from be- 
hind a mesquite bush. 

MAMIE 

What happened to Faro Jim? 

IKE 

He escaped [pointing dozvmvard, significantly] next morning 
about sun-up. I heard somebody say he went south fer his 
health. 

MAMIE 

He was the only man on all the plains of whom I could really 
say I was afraid. [With concern.] You don't think he'd fol- 
low Rip and shoot him again, do you? 

IKE 

Wal, hardly. Faro Jim ain't lookin fer any more trouble. You 
might as well be afraid of me shootin him, so don't worry about 
Faro Jim any more. [Turns when he gets to door.] I hear he's 
reformed, anyhow. [Exit door in flat.] 

[page 83] 



THE MAVERICK 

MAMIE 

[To MARIA.] Don't you think he spoke rather queer about 
Faro Jim? I believe he just told me that to keep me from worry- 
ing. I don't believe Faro Jim has gone south at all, do you 
Maria? [maria shakes her head knozvingly. mamie exits to left 
MARIA looks at baby, pulls out flask of zvhiskey and takes another 
drink. She rolls cigarette, lights it and exits door in flat.] 

RIP 

[Comes from behind curtain, passes his arm over his eyes as 
tho in a dream. Walks over and leans on mantle as tho very 
tired. Looks up and smiles. Hangs gun and hat on peg again. 
Is coming down stage when mamie enters, left upper. She looks 
at him a second, then rushes into his arms.] 

MAMIE 
Rip, my boy. 

RIP 

Mamie, little gal. 

MAMIE 

Rip, am I dreaming or is it really you. I'll never let you get 
away from me again. 

RIP 

Little sweetheart, you can keep me in this here corral all the 
rest of my life, an you don't have to put no barb-wire fence 
around it either, for they couldn't drag me away with the best 
team of mules in the county. As far as its bein me, why its 
what's left of me. [rip sits dozvn in chair by fireplace, mamie 
sits on floor at his feet.] 

MAMIE 

Oh, Rip, sometimes I thought you surely would never come 
home again. It was so long to be away from you, and it was 
horrible to know that you were sick and near death, and I couldn't 
be with you. But every night I've laid awake thinking of you, 

K [page 84] 



THE MAVERICK 

and in the cold gray hours of the morning after I would just fall 
asleep from exhaustion, I would dream of you. Asleep or awake 
I have been with you always. 

RIP 

And me, little gal, if I were as good a talker as Parson Henry 
] couldn't tell you in a hundred years how glad I am to get back 
again. Its like as though some traveler was lost out yonder on 
the sand hills where there's nothin but mesquite bushes and 
grease wood, and he's dyin of thirst, little gal. And he goes 
wanderin on like a madman, tryin to catch up with the beautiful 
mirage, and at last when he gives up and falls down on the burn- 
in' sands to die, he finds a spring of cool life giving water right at 
his very feet. 

MAMIE 

How strangely you talk, Rip. You haven't been doing any- 
thing wrong, have you. 

RIP 

Not hardly, I reckon. 

MAMIE 

Once, Rip, I had a horrid dream about you. 
RIP 

Tell me about it, Mamie. 
MAMIE 

I dreamed I saw you in a city, in a fine house, and you were 
dressed so fine and looked so handsome, and a beautiful woman 
came and threw her arms around your neck and kissed you — 
then I woke up. [rip looks intently into the fire.] At first it 
bothered me, and I am afraid — you mustn't be angry — I'm 
afraid I was a little jealous. But I knew who it was. Rip — it 
must have been your mother. 

[Takes both her hands and looks intently into her face.] Yes, 
little gal, maybe it was my mother. 

CURTAIN 
[page 85] 



^PR 12 1911 



One copy del. to Cat. Div. 
APR 22 ml 



